Textual description of firstImageUrl

Ludwig van Beethoven: "L'amore vuole tutto e ha ragione.."

"L'Arte! Chi la può comprendere? A chi si può rivolgere una persona per attirare l'attenzione di questa grande Dea.."
Beethoven

Beethoven - Andy Warhol 1928-1987
Andy Warhol (1928-1987) | Beethoven

- Ludwig van Beethoven (1770-1827) è stato la figura predominante musicale nel periodo di transizione tra l'epoca Classica e Romantica.
Beethoven fu un innovatore, che ampliò il campo di applicazione della sonata, sinfonia, concerto e quartetto, e la combinazione di voci e strumenti in un modo nuovo.
La sua vita personale è stata segnata da una lotta contro la sordità, e alcune delle sue opere più importanti sono stati composti nel corso degli ultimi 10 anni della sua vita, quando era ancora in grado di sentire.

Textual description of firstImageUrl

Alexander Millar, 1960 | Fly With Me


Scottish painter Alexander Millar is one of the UK's most popular contemporary artists. Born and raised in the small mining community of Springside, just outside the town of Kilmarnock on the west coast of Scotland, Millar's earliest memories were of his time spent in the company of old men dressed in dark suits smoking woodbines and large missile-shaped women decked out in big overcoats, pinnies, tartan headscarves and zipped booties, adorned with fake fur around the top.

Textual description of firstImageUrl

Jeff Rowland, 1964 | VideoArt


Jeff Rowland's ideas and inspirations: 'I have always been fascinated in two areas of art; the implicit meaning and the inspiration. I was inspired to paint a rain soaked street through films I saw at the cinema.
I am always inspired to experience what I am about to paint. I remember Billy Connolly saying that he hated songs about Scotland that were written by men in London: men who had never even seen the Highlands. In other words, if you are going to do something creative, get to the very heart of it first'.

Textual description of firstImageUrl

Edgar Degas | Sculpture


Degas’ sculpture stands outside the mainstream of nineteenth-century French sculpture. He was never interested in creating public monuments, and, with one exception, neither did he display his sculpture publicly. The exception was "The Little Fourteen-Year-Old Dancer".
It was shown in the sixth Impressionist exhibition held in Paris in 1881, but the work has little to do with Impressionism. Modeled in wax and wearing a real bodice, stockings, shoes, tulle skirt, and horsehair wig with a satin ribbon, the figure astonished Degas’ contemporaries, not only for its unorthodox use of materials, but also and above all for its realism, judged brutish by some. The Little Fourteen-Year-Old Dancer was not seen again publicly until April 1920.

Textual description of firstImageUrl

Grand Prix de Rome (1663-1968) | Art history

Dea Roma, Viale Trinità dei Monti, Villa Medici, Roma

Prix de Rome, in full Grand Prix de Rome, any of a group of scholarships awarded🎨 by the French government between 1663-1968 to enable young French artists🎨 to study in Rome.
It was so named because the students who won the grand, or first, prize in each artistic category went to study at the Académie de France in Rome.