Hamish Blakely, 1968 | Figurative painter

British painter Hamish Blakely was born in Canterbury and developed an interest in art from an early age.

He recalls: "I was approximately seventeen and seeing the paintings up close, noticing the luxuriant, sometimes messy concoction of paint, the washes, the texture and nuance, spoke to me in a way that I found sacred and spellbinding. I just wanted to use paint and see where it would take me".

Anton Dieffenbach (1831-1914) | Genre painter

Anton Heinrich Dieffenbach was a German🎨 genre and landscape painter, noted for his portrayals of cute children.

He moved to Straßburg with his parents in 1840 and took lessons from a local artist named Charles Duhamel.

With Duhamel's recommendation, he was able to go to Paris and study with the sculptor James Pradier🎨.

Hamish Blakely, 1968 | Love letters to my wife

Like many great artists, British painter Hamish Blakely has a muse. And it is none other than his wife Gail!

The artist explains: "We men folk have a lot to learn, and I have learned a great deal from her since we met. My art celebrates that mystifying blend of feminine beauty and strength.

While loyal to that enduring genre of the celebrated figure and venerated goddess in art, I also explore the majesty of a woman's presence".

Angel Boligan, 1965 | Surreal cartoonist / illustrator

A>ngel Boligàn Corbo was born in Havana. In 1992 he moved to Mexico. He draws for the newspaper EL UNIVERSAL and the satirical magazines CONOZCA MÁS and EL CHAMUCO. He is a member of the cartoonist group "Cartooning for Peace" and won worldwide more than 130 prizes in cartoon competitions.

Angel comes from a country surrounded by dreams, frustrations and sometimes nightmares. Cuba, land of intensive social and political incidents, gave Bolig án the experience of life. A socialist who later will perceive the capitalist world with a broader look, becoming that way an observer with a surprising maturity.

Claude Monet | Haystacks | I Covoni

Haystacks is a title of a series of impressionist paintings by Claude Monet. The primary subjects of all of the paintings in the series are stacks of hay in the field after the harvest season.

The title refers primarily to a twenty-five canvas series (Wildenstein Index Number 1266-1290) begun in the end of summer of 1890 and continued through the following spring, using that year's harvest.