Olga and Aleksey Ivanov | Egg tempera painters

The Ivanovs emigrated from Russia to the United States in 2002. There were a number of reasons for their move.

“We were working with a New York art agency by that time, and due to bureaucracy it was nearly impossible to deliver our art to clients on time”, says Aleksey.

“Also, the tremendous interest in our art in the U.S. gave us a clear message that this is the country where we want to create”.

John Leslie Breck (1859-1899)

John Leslie Breck was an American artist🎨 who died at the age of 39. During his short life he painted a number of notable works, and is credited with introducing Impressionism to the United States with a show in Boston in 1890.

He died in 1899, reported as death by gas poisoning, and is interred in Forest Hills Cemetery in Boston. His works remain in a number of American museums and private collections.

Theodore Wendel (1859-1932)

Born to German parents in Midway, Ohio, Theodore Wendel studied art at the McMicken School of Design before traveling to Munich, where he enrolled at the Royal Academy in 1876.

There he joined a circle of artists around Frank Duveneck, painting and traveling through Italy during the summers and spending winters at Duveneck’s school of art in Munich until his return to the United States in 1882.

Milo Manara, 1945 | Women Vs. the Covid-19

Durante il lockdown imposto dall'emergenza sanitaria Covid-19, il celebre autore Italiano di fumetti Milo Manara, con una serie di illustrazioni, ha voluto rendere omaggio alle donne in prima linea nella lotta al Coronavirus: Personale sanitario, i rider, i corrieri, le forze dell’ordine, le commesse dei supermercati ecc.

In queste settimane, se l'Italia ha continuato a funzionare, è anche grazie a loro!

William Glackens | Ashcan School painter | Page 2

William Glackens ~ Ashcan School painter | Page 1 || William Glackens ~ Ashcan School painter | Page 3

William J. Glackens, in full William James Glackens (1870-1938), American artist🎨 whose paintings of street scenes and middle-class urban life rejected the dictates of 19th-century academic art and introduced a matter-of-fact realism into the art of the United States.