Stojan Milanov, 1963 | Abstract painter

Stojan Milanov was born in Belgrade.

He graduated from the Faculty of Architecture in Belgrade and has been painting since 1985.

He is a member of the Association of Fine and Applied arts of Serbia.

Since 1985, he has been professionally engaged in painting, a member of The Association of Applied Arts Artists and Designers of Serbia (ULUPUDS) and The Association of Fine Artists of Serbia (ULUS), freelance artist.

Thomas Danthony, 1988 | Surreal Spaces

Born in Montpellier, in the South of France, Thomas Danthony is a designer and illustrator based in London.

Danthony graduated from a Master in Product Design. He dedicates himself to illustration after moving to London. Since then, Thomas Danthony as freelance for the Press and for advertising on difference projects, for european but also american clients such as Google, Arte, Netflix or Liberty.

German Aracil, 1965 | Figurative painter

Spanish artist🎨, German Aracil was born in Alicante. In 1985 he began his studies at the San Carlos School of Fine Art in Valencia, Spain.

Aracil's first one-man show was held in his home town of Alicante, followed in 1990 by exhibitions in New York, Miami, USA. Subsequently, German Aracil has exhibited his work with great success in Spain, Portugal, Japan, Germany, France, South America and the USA.

Martin Llamedo, 1980 | Figurative painter

Martin Llamedo was born in Argentina, where he currently lives and paints. At a young age he studied ceramic and sculpture with Hector Alves.

During his time at the university he was taught by Domingo Florio, Carlos Carmona, Alfredo Portillos, Julio Flores, Salvador Constanzo, and art theory by Castillo, Magaz, Dragosky and Laurenzi.

Plein Air painting style

Renoir🎨 - Monet🎨 painting in his garden at Argenteuil, 1873

En Plein Air painting, in its strictest sense, the practice of painting landscape pictures out-of-doors; more loosely, the achievement of an intense impression of the open air (French: plein air) in a landscape painting.

Until the time of the painters of the Barbizon school in mid-19th-century France, it was normal practice to execute rough sketches of landscape subjects in the open air and produce finished paintings in the studio. Part of this was a matter of convenience.

Before the invention of the collapsible tin paint tube, widely marketed by the colour merchants Winsor Newton in 1841, painters purchased their colours in the form of ground pigment and mixed them fresh with an appropriate medium such as oil.