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Oscar Wilde / Vladimir Kush | Quotes


The critic has to educate the public; the artist has to educate the critic.
To love oneself is the beginning of a lifelong romance.
A man's face is his autobiography. A woman's face is her work of fiction.
A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.
What is a cynic? A man who knows the price of everything and the value of nothing.
There is only one thing in life worse than being talked about, and that is not being talked about.

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Lizzie Riches, 1950 | Magical realism painter


Lizzie is a Londoner by birth though growing up near Epping Forest gave her an enduring love of the natural world.
Childhood visits to the National Gallery awakened a passion for painting and visiting Audley End at the age of five began a lifelong interest in Elizabethan Portraiture.
A hopeless student at Art School, Lizzie preferred to develop her own style by going back to study the paintings she had loved as a child.
She joined London’s Portal Gallery in 1976, exhibiting with them in Chicago, New York and Paris and continuously in London ever since. Portal introduced Lizzie to The Red Dot Gallery, close to her home in Norfolk, in 2011.

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Niccolò Cannicci | Genre painter

Niccolò Cannicci (1846-1906) was an Italian painter🎨, who painted urban and rural views, often depicting the intersection of the urban and industrial landscape with the rural and pastoral.
He was born in Florence. He began his studies in design at Academy of Fine Arts of Florence under professors Marrubini and Pollastrini, and from there moved to the studio of professor Antonio Ciseri.
He then was influenced by the school of the Macchiaioli🎨.
He moved to San Gemignano.
He painted mainly landscapes and genre paintings🎨 of peasant life and animals.


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Vittorio Matteo Corcos | Genre painter

A Reassessment of Corcos, Sensuality and Subtlety Intact

- The New York Times, article by Roderick Conway Morris A Reassessment of Corcos, Sensuality and Subtlety Intact, Oct. 7, 2014

The Jewish community of the Tuscan seaport of Livorno produced two notable artists whose lives spanned the 19th and 20th centuries: Vittorio Corcos and Amedeo Modigliani.
Corcos enjoyed a long and prosperous international career, dying at the age of 74 in 1933. Modigliani🎨 struggled to sell his work and died little known at the age of 35 in 1920.
But whereas Modigliani🎨 is now one of the most famous of 20th-century artists, Corcos, outside of Italy at least, is virtually forgotten. One reason is that Corcos’s uninspiringly conventional society and royal portraits have obscured the fact that he also produced some genuinely idiosyncratic images.


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Vittorio Matteo Corcos | An Elegant Lady in a Pink Hat and Dress, 1888

Vittorio Matteo Corcos (1859-1933) was an Italian painter, known for his portraits.
Many of his genre works depict winsome and finely dressed young men and women, in moments of repose and recreation.
He was born to Jewish parents, in Livorno. He trained at the Academy of Fine Arts of Florence under Enrico Pollastrini.
Between 1878-1879 he worked under Domenico Morelli in Naples.