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David Černý, 1967 | Metalmorphosis | Giant Rotating Heads
Metalmorphosis is a 14-ton water fountain that's shaped like a human head. On top of that, the sculpture is made with over 35 steel layers that can independently rotate 360 degrees to re-arrange its face and trip your brains out.
The mirrored water fountain is made by Czech sculptor David Černý and is located in Whitehall Technology Park in Charlotte, North Carolina.

James Smetham | The Dream, 1856
James Smetham (1821-1889), a Victorian painter and critic, is better remembered for his friendships with such Pre-Raphaelite figureheads as Dante Gabriel Rossetti and John Ruskin than for the short time in his career when he adopted their artistic ideology into his own aesthetic.
"The Dream" is a good example of Smetham’s take on the Pre-Raphaelite style as it sports many of its characteristic elements, including the arched format, meticulous finish, and moody intensity.
James Smetham | The Dream, 1856 | High Museum of Art, Atlanta, Georgia

Edward William Cooke (1811-1880)
Edward William Cooke was an English🎨 landscape and marine painter and gardener.
Cooke was born in Pentonville, London, the son of well-known line engraver George Cooke; his uncle, William Bernard Cooke (1778-1855), was also a line engraver of note, and Edward was raised in the company of artists.
He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects (in special in sailing ships) and published his "Shipping and Craft" - a series of accomplished engravings - when he was 18, in 1829.
He benefited from the advice of many of his father's associates, notably Clarkson Stanfield (whose principal marine follower he became) and David Roberts.
Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834 and first exhibited at the Royal Academy and British Institution in 1835, by which time his style was essentially formed.
He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to the Netherlands in 1837.
He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters, resulting in highly successful paintings.
These included 'Beaching a Pink at Scheveningen' (National Maritime Museum, London), which he exhibited in 1855 at the Royal Academy, of which he was an Associate from 1851. He went on to travel in Scandinavia, Spain, North Africa and, above all, to Venice.
In 1858, he was elected into the National Academy of Design as an Honorary Academician.
Cooke was "particularly attracted by the Isle of Wight, and on his formative visit of 1835 he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties".
He also had serious natural history and geological interests, being a Fellow of the Linnean Society, Fellow of the Geological Society and Fellow of the Zoological Society, and of the Society of Antiquaries.
In the 1840s he helped his friend, the horticulturist, James Bateman fit out and design the gardens at Biddulph Grange in Staffordshire, in particular the orchids and rhododendrons.
His geological interests in particular led to his election as Fellow of the Royal Society in 1863 and he became a Royal Academician the following year.
In 1842 John Edward Gray named a species of boa, Corallus cookii, in Cooke's honor. | © Wikipedia

Edvard Munch | Symbolist / Expressionist painter
Edvard Munch, (born December 12, 1863, Löten, Norway - died January 23, 1944, Ekely, near Oslo), Norwegian painter and printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century.
His painting The Scream, or The Cry (1893)🎨, can be seen as a symbol of modern spiritual anguish.
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