E. Melinda Morrison | Impressionist painter

As a young woman, her B.A. in fine arts from the University of Texas at Tyler took a backseat to the corporate world for many years: advertising exec; graphic designer and art director of her own company; and later corporate and executive recruiter. Not surprisingly, she was recognized in national competitions for her print design and annual reports, but shortly after her move to Denver in 1994, the satisfied extrovert began to hear from the starving artist. She says she “felt like her soul was drying up”. An oil-painting class at the Art Students’ League of Denver rained water on that desert ground.

Paintings of Notre-Dame de Paris

Victor Hugo🎨, in The Hunchback of Notre-Dame:
"A vast symphony in stone, so to speak; the colossal work of one man and one people, all together one and complex, like the Iliads and the Romanceros, whose sister it is; prodigious product of the grouping together of all the forces of an epoch, where, upon each stone, one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation, in a word, powerful and fecund as the divine creation of which it seems to have stolen the double character - ariety, eternity".

Sylvius Paoletti (1864-1921) Notre Dame de Paris, 1907

Donato Creti | Astronomical Observations, 1711

Donato Creti (24 February 1671 - 31 January 1749) was an Italian painter🎨 of the Rococo period, active mostly in Bologna.

The series of Astronomical observations was commissioned in 1711 by the Bolognese count Luigi Marsili.

He had the artist Donato Creti paint all the planets in as many small pictures and made a gift of these to the Pope to convince him of the importance for the Holy Church of an astronomical observatory.

The gift made it possible to achieve his goal, because with the support of Clement XI (pontiff from 1700-1721) the first public astronomical observatory was opened in Bologna a short time later.

Donato Creti | Osservazioni Astronomiche - Marte

Victor Hugo | Painting

Victor Marie Hugo (1802-1885) was not only one of France's greatest poet, novelist and dramatist, but also a prolific artist, painter, watercolourist, draughtsman and caricaturist.

Victor Hugo produced more than 4000 drawings. Originally pursued as a casual hobby, drawing became more important to Hugo shortly before his exile, when he made the decision to stop writing in order to devote himself to politics. Drawing became his exclusive creative outlet during the period 1848-1851.

Henry John Stock | Pre-Raphaelite painter

Born in Soho, London, Henry John Stock (1853-1930) made a somewhat unusual start as an artist by going blind in childhood but recovered his sight on going to live at Beaulieu in the New Forest. Fully recovered, he studied at the St. Martin’s School of Art and at the Royal Academy Schools and was befriended by the engraver W. J. Linton, who, perhaps significantly, had engraved the illustrations to Gilchrist’s Life of William Blake🎨, 1863.

He exhibited at the Royal Academy between 1874-1910 and also at the Royal Institute of Painters in Watercolors, becoming a member in 1881, as well as at commercial galleries such as the Fine Arts Society.