Notre-Dame de Paris🎨 - Stone, copper and bronze statues, including statues of the twelve Apostles that surrounded the base of the spire, had been removed from the site days prior to the 2019 fire as part of the renovations.
Elisabeth Louise Vigée-Le Brun (1755-1842) was one of the most successful portraitists of 18th century France, gaining renowned in particular for her self-portraits and depictions of courtly women, Queen Marie Antoinette most famously.
Born in Paris as the eldest child of the portraitist Louis Vigée (1715-1767) and Jeanne Maissin, Vigée Le Brun was trained by her father from an early age.
She succeeded in gaining entrance to the Académie de Saint-Luc at the age of just nineteen, a remarkable accomplishment for a woman at the time.
Giuseppe Canella (28 July 1788 - 11 September 1847), also referred to as Giuseppe Canella the Elder, was an Italian painter🎨.
Initially trained by his father Giovanni, an architect, fresco painter and set designer, Giuseppe Canella started out producing stage sets and decorating stately homes in Verona and Mantua.
His brother, Carlo Canella🎨, was also a painter. It may have been under the influence of Pietro Ronzoni, a landscape painter of international renown active in Verona, that he took up landscape painting.
The first views were not produced until 1815, after a short stay in Venice. After making his debut at the Fine Art Exposition at the Brera Academy of 1818, he made a long journey through Spain, the Netherlands and France for study purposes.
Notre-Dame de Paris, also known as Notre-Dame Cathedral or simply Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité in the fourth arrondissement of Paris, France.
The cathedral is considered to be one of the finest examples of French Gothic architecture.
The innovative use of the rib vault and flying buttress, the enormous and colorful rose windows, and the naturalism and abundance of its sculptural decoration all set it apart from earlier Romanesque architecture.
British painter🎨 George Lawrence Bulleid (1858-1933) was born in Glastonbury, Somerset in 1858, the son of a local solicitor and Councillor.
Bulleid joined the family firm but in 1881 but soon left to study at the Marylebone and West London School of Art under the instruction of the Principal, George Simpson.
As with so many Victorian artists of the time, he had a strong affection for classicism and antiquity, his early work would typically be of dark and sombre canvases with groups of figures arranged within an architectural structure, or contemplative individuals at moments of decision or classical melancholy.