Gustav Klimt | Drawings

In 1963, the Albertina museum in Vienna began researching the drawings of Gustav Klimt.

The research project Gustav Klimt. Die Zeichnungen, has since been associated with intensive exhibition and publication activities.

Between 1980 and 1984 Alice Strobl published the three-volume catalogue raisonné, which records and describes all drawings by Gustav Klimt known at the time in chronological order.

An additional supplementary volume was published in 1989.

George Bellows | Ashcan School painter

George Wesley Bellows, (1882-1925), American painter and lithographer noted for his paintings of action scenes and for his expressive portraits and seascapes.

Bellows attended Ohio State University before moving in 1904 to New York City, where he studied at the New York School of Art under Robert Henri, leader of the group of American realist painters called The Eight.

Johannes Vermeer | Baroque Era painter

The life and art of Johannes Vermeer (1632-1675) are closely associated with the city of Delft.

He was born in Delft in 1632 and lived there until his death in 1675. His father, Reynier Vermeer, was a silk weaver who produced caffa, a fine satin fabric, but in 1631 he also registered in the Saint Luke’s Guild in Delft as a master art dealer.

By 1641 he was sufficiently prosperous to purchase a large house, the “Mechelen”, which contained an inn on the market square in Delft and from which he probably also sold paintings.

Johannes Vermeer | The Girl with a Pearl Earring, 1665

Girl with a Pearl Earring / Meisje met de parel is Vermeer’s most famous painting.

It is not a portrait, but a ‘tronie’ - a painting of an imaginary figure. Tronies depict a certain type or character; in this case a girl in exotic dress, wearing an oriental turban and an improbably large pearl in her ear.

Johannes Vermeer was the master of light. This is shown here in the softness of the girl’s face and the glimmers of light on her moist lips. And of course, the shining pearl. | © Mauritshuis Museum in Hague

Michelangelo Buonarroti: "Non ha l'ottimo artista alcun concetto" | Sonetto 151

Non ha l’ottimo artista alcun concetto

c’un marmo solo in sé non circonscriva

col suo superchio, e solo a quello arriva

la man che ubbidisce all’intelletto.