Claude Monet | Promenades / Le passeggiate

Claude Monet | Promenades / Le passeggiate

With Manet's🎨 assistance, Monet🎨 found lodging in suburban Argenteuil in late 1871, a move that initiated one of the most fertile phases of his career.
Impressionism evolved in the late 1860s from a desire to create full-scale, multi-figure depictions of ordinary people in casual outdoor situations. At its purest, impressionism was attuned to landscape painting, a subject Monet favored.
In Woman with a Parasol - Madame Monet and Her Son, his skill as a figure painter is equally evident. Contrary to the artificial conventions of academic portraiture, Monet delineated the features of his sitters as freely as their surroundings.

Claude Monet🎨 | The Promenade, Woman with a Parasol, 1875

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Claude Monet | Promenades / Le passeggiate

With Manet's🎨 assistance, Monet🎨 found lodging in suburban Argenteuil in late 1871, a move that initiated one of the most fertile phases of his career.
Impressionism evolved in the late 1860s from a desire to create full-scale, multi-figure depictions of ordinary people in casual outdoor situations. At its purest, impressionism was attuned to landscape painting, a subject Monet favored.
In Woman with a Parasol - Madame Monet and Her Son, his skill as a figure painter is equally evident. Contrary to the artificial conventions of academic portraiture, Monet delineated the features of his sitters as freely as their surroundings.

Claude Monet🎨 | The Promenade, Woman with a Parasol, 1875

James R. Eads and Chris McDaniel | Illusions in gif

James R. Eads and Chris McDaniel | Illusions in gif

The result of a collaboration of artist James R Eads and animator Chris McDaniel, Illusions, is a rare example of visionary art being translated beautifully between two mediums.
Two artists - one painter and one animator - have collaborated on a series of digital Gif works that seem to suck viewers into their computer screens. colorful and vibrant illustrations by James R. Eads have been brought to life Chris McDaniel, known as "the glitch".


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James R. Eads and Chris McDaniel | Illusions in gif

The result of a collaboration of artist James R Eads and animator Chris McDaniel, Illusions, is a rare example of visionary art being translated beautifully between two mediums.
Two artists - one painter and one animator - have collaborated on a series of digital Gif works that seem to suck viewers into their computer screens. colorful and vibrant illustrations by James R. Eads have been brought to life Chris McDaniel, known as "the glitch".


Orazio Gentileschi | Portrait of a Young Woman as a Sibyl, 1620-1626

Orazio Gentileschi | Portrait of a Young Woman as a Sibyl, 1620-1626

The young woman in this painting by Orazio Gentileschi🎨 has been identified by scholars as the artist's daughter, Artemisia Gentileschi🎨. A renowned painter herself, she trained in her father's workshop and established a European reputation that allowed her a life of independence rare for a woman of her day.
One of the most important followers of Michelangelo Merisi da Caravaggio (1571/72-1610)🎨, Orazio Gentileschi combined a refined and elegant personal manner with Caravaggio's powerful sense of realism.
In this painting, the identification of Artemisia as a Sibyl - defined in ancient Greek literature and legend as a woman with the gift of prophecy - may be based on what happened during the trial of Roman artist Agostino Tassi, whom she accused of rape.


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Orazio Gentileschi | Portrait of a Young Woman as a Sibyl, 1620-1626

The young woman in this painting by Orazio Gentileschi🎨 has been identified by scholars as the artist's daughter, Artemisia Gentileschi🎨. A renowned painter herself, she trained in her father's workshop and established a European reputation that allowed her a life of independence rare for a woman of her day.
One of the most important followers of Michelangelo Merisi da Caravaggio (1571/72-1610)🎨, Orazio Gentileschi combined a refined and elegant personal manner with Caravaggio's powerful sense of realism.
In this painting, the identification of Artemisia as a Sibyl - defined in ancient Greek literature and legend as a woman with the gift of prophecy - may be based on what happened during the trial of Roman artist Agostino Tassi, whom she accused of rape.


Dante Gabriel Rossetti | The Sonnet / Il sonetto

Dante Gabriel Rossetti | The Sonnet / Il sonetto

The Sonnet

A Sonnet is a moment's monument,-
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,


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Dante Gabriel Rossetti | The Sonnet / Il sonetto

The Sonnet

A Sonnet is a moment's monument,-
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,


Mary Cassatt | Impressionist painter

Mary Cassatt | Impressionist painter

Mary Cassatt (born May 22, 1844, Allegheny City [now part of Pittsburgh], Pennsylvania, U.S. - died June 14, 1926, Château de Beaufresne, near Paris, France), American painter and printmaker who was part of the group of Impressionists working in and around Paris. She took as her subjects almost exclusively women and children.
Cassatt was the daughter of a banker and lived in Europe for five years as a young girl. She was tutored privately in art in Philadelphia and attended the Pennsylvania Academy of the Fine Arts in 1861-65, but she preferred a less academic approach and in 1866 traveled to Europe to study with such European painters as Jean-Léon Gérôme and Thomas Couture.
Her first major showing was at the Paris Salon of 1872; four more annual Salon exhibitions followed.


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Mary Cassatt | Impressionist painter

Mary Cassatt (born May 22, 1844, Allegheny City [now part of Pittsburgh], Pennsylvania, U.S. - died June 14, 1926, Château de Beaufresne, near Paris, France), American painter and printmaker who was part of the group of Impressionists working in and around Paris. She took as her subjects almost exclusively women and children.
Cassatt was the daughter of a banker and lived in Europe for five years as a young girl. She was tutored privately in art in Philadelphia and attended the Pennsylvania Academy of the Fine Arts in 1861-65, but she preferred a less academic approach and in 1866 traveled to Europe to study with such European painters as Jean-Léon Gérôme and Thomas Couture.
Her first major showing was at the Paris Salon of 1872; four more annual Salon exhibitions followed.