Marià Fortuny i Marsal | Romantic / Orientalist painter

Marià Fortuny i Marsal - complete name Marià Josep Maria Bernat Fortuny i Marsal (June 11, 1838 - November 21, 1874), known more simply as Marià Fortuny or Mariano Fortuny, was the leading Spanish painter of his day, with an international reputation.

His brief career encompassed works on a variety of subjects common in the art of the period, including the Romantic fascination with Orientalist themes, historicist genre painting, military painting of Spanish colonial expansion, as well as a prescient loosening of brush-stroke and color.

Le visioni di Victor Crisostomo, 1941

Victor Crisostomo è un artista contemporaneo di Lima, Perù, e ritrae le persone e le culture del suo paese natale nei suoi ritratti vivaci e accattivanti.

Queste immagini avvincenti fondono la tradizione con un tocco contemporaneo.

La dicotomia tra passato e presente sarebbe normalmente difficile e proibitivamente complessa, tuttavia Victor, un nativo americano di origine Inca Qechua, colma senza sforzo i due estremi mentre viaggia nelle giungle del Sud America per la sua ricerca e ispirazione.

Pablo Neruda | If your eyes / Se non fosse per i tuoi occhi..

John Singer Sargent | Two Girls with Parasols at Fladbury, 1889

If your eyes were not the color of the moon,

of a day full of clay, and work, and fire,

if even held-in you did not move in agile grace like the air,

if you were not an amber week,

not the yellow moment

Frank Duveneck | Realist painter

Frank Duveneck, (born October 9, 1848, Covington, Kentucky, U.S. - died January 3, 1919, Cincinnati, Ohio), American painter, sculptor, and art teacher who helped awaken American interest in European naturalism.

At age 21 Duveneck studied in Germany with Wilhelm Dietz at the Munich Academy and was greatly influenced by the works of Frans Hals, Rembrandt and Peter Paul Rubens.

Federico Zandomeneghi | A Venetian between Impressionists

Federico Zandomeneghi (1841-1917) was an Italian painter, known for working in the Impressionist style. His father Pietro and grandfather Luigi tried to interest him in the plastic arts, but from a very early age he showed a stronger inclination for painting. Zandomeneghi soon rebelled against their teachings, and by 1856 he was attending the Accademia delle Belle Arti in Venice, studying under the painters Michelangelo Grigoletti (1801-1870) and Pompeo Molmenti (1819-1894).

As a Venetian he was born an Austrian subject, and, to escape conscription, he fled his city in 1859 and went to Pavia, where he enrolled at the university.

In the following year he followed Garibaldi in the Expedition of the Thousand; afterwards, having been convicted of desertion and therefore unable to return to Venice, he went to Florence, where he remained from 1862-1866. This period was essential for his artistic development.