Sandro Botticelli (1445-1510) Lo stile

Lo stile del pittore Italiano Sandro Botticelli (Firenze, 1445-1510) subì diverse evoluzioni nel tempo, ma fondamentalmente mantenne alcuni tratti comuni che lo rendono tutt'oggi ben riconoscibile, anche nel vasto pubblico. Gli input fondamentali della sua formazione artistica furono sostanzialmente tre: Filippo Lippi, Andrea del Verrocchio ed Antonio del Pollaiolo.

Dal Lippi, suo primo vero maestro, apprese a dipingere fisionomie eleganti e di una rarefatta bellezza ideale, il gusto per la predominanza del disegno e della linea di contorno, le forme sciolte, i colori delicatamente intonati, il calore domestico delle figure sacre.

Dal Pollaiolo ricavò la linea dinamica e energetica, capace di costruire forme espressive e vitali con la forza del contorno e del movimento.

Dal Verrocchio imparò a dipingere forme solenni e monumentali, fuse con l'atmosfera grazie ai fini giochi luministici, e dotate di effetti materici nella resa dei diversi materiali.

Sandro Botticelli | Artworks | Page 6

Botticelli was an integral part of the Italian Renaissance, which helped to shape the future of European art, architecture and literature.

Sandro Botticelli was an Italian artist who achieved great success and notoriety in his native Florence during his own lifetime. His nickname came from the Italian for a small wine cask, namely a Botticello.

Giorgio Vasari | The life of Sandro Botticelli

At the same time with the elder Lorenzo'de Medici, the Magnificent, which was truly a golden age for men of intellect, there also flourished one Alessandro, called Sandro after our custom, and surnamed Di Botticello for a reason that we shall see below.

This man was the son of Mariano Filipeppi, a citizen of Florence, who brought him up with care, and had him instructed in all those things that are usually taught to children before they are old enough to be apprenticed to some calling.

But although he found it easy to learn whatever he wished, nevertheless he was ever restless, nor was he contented with any form of learning, whether reading, writing, or arithmetic, insomuch that his father, eary of the vagaries of his son's brain, in despair apprenticed him as a goldsmith with a boon-companion of his own, called Botticello, no mean master of that art in his day.

Van Gogh | Holland Landscapes

"I can very well do without God both in my life and in my paintings, but I cannot, ill as I am, do without something which is greater than I, which is my life - the power to create" - Quote in his letter to brother Theo.

Nicolas Poussin | Baroque Era painter

Nicolas Poussin, (born June 1594, Les Andelys, Normandy [France] - died November 19, 1665, Rome, Papal States [Italy]), French painter and draftsman who founded the French Classical tradition.

He spent virtually all of his working life in Rome, where he specialized in history paintings - depicting scenes from the Bible, ancient history, and mythology - that are notable for their narrative clarity and dramatic force.