This painting is emblematic of the refined and dramatic nocturnes that form the small catalogue of works by Adam de Coster.
Benedict Nicolson was the first scholar to isolate a corpus of works by this Flemish candlelight painter in a series of publications.
He based this group around Lucas Vorsterman’s engraving after a lost work by de Coster, which depicted tric-trac players and a musician illuminated by two burning candles on a table.