From: Metropolitan Museum of Art
Like many of his contemporaries, Dagnan-Bouveret** was fascinated by the religious customs of Brittany in northern France.
In this scene, penitents wearing traditional regional dress proceed solemnly around a church; some go barefoot or kneel to demonstrate remorse.
Annotated drawings on the reverse of the canvas indicate that the painter’s wife posed for the young woman in the foreground; the mother of an artist friend appears at left.