Beatriz Hidalgo De La Garza, 1967 | Soul of Mexico

Beatriz Hidalgo de la Garza, Mexican painter, wife, architect, humanist, mother and above all… Proudly Mexican. Enter the world of art was only a girl studying painting and visual arts for over 10 years in the Fine Arts Children’s Workshop.

Carl Zewy | Genre painter

Carl Zewy (1855-1929) was an Austrian** genre, portrait and landscape painter. He born in Vienna and studied at the Vienna Academy under August Eisenmenger and at the Munich Academy as well.
The art dealer Friedrich Schwarz became a patron of his art and provide him with numerous commissions.

In addition, he regularly takes part in the exhibitions of the Vienna Künstlerhaus. Today Zewys works can be found in the collection of the Historical Museum of Vienna.

Filippino Lippi (1457-1504) | Early Renaissance painter

Filippino Lippi - Early Renaissance painter of the Florentine school whose works influenced the Tuscan Mannerists of the 16th century.

The son of Fra Filippo Lippi and his wife, Lucrezia Buti, he was a follower of his father and of Sandro Botticelli. After Fra Filippo Lippi’s death, Filippino entered the workshop of Botticelli. By 1473 he had finished his apprenticeship.

Jean Bellegambe (1470-1536)

Jehan Bellegambe or Jean Bellegambe (sometimes Belgamb or Belganb) was a French-speaking Flemish painter of religious paintings, triptychs and polyptychs, the most important of which are now held at Douai, Arras, Aix, Lille, Saint Petersburg and Chicago.

He was known as the 'master of colours' for the transparency and interplay of his colors.

He is known as Jehan Bellegambe the elder to distinguish him from his descendents who were also called Jehan.

Amedeo Modigliani | Sculpture

Only 27 sculptures by Amedeo Modigliani (1884-1920) are known to exist.

In his sculpture, Modigliani, (Italian painter and sculptor), tried to capture the raw, primitive and mysterious power of African masks, as well as the beatific smiles of Cambodian or Khmer heads.

In their hardness, Modigliani's sculptures represent a conscious attempt to get away from the soft modelled surfaces of Rodin's sculpture.