Most of the work from Vogel exhibited here pertains to undines: "liquid women", bewitching and tragic.
Several paintings deal more specifically with a quintessential theme of romantic symbolism, the drowning Ophelia.
Vogel's postmodern reexamination of the opheliac disappearance introduces subtle and complex nuances in the representation of feminity: Ophelia doesn't drown, she withdraws from us.
This feminity with an attitude is very different from the symbolist's victimized staging of feminity.