Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the search of virtue and the renunciation of worldly pleasures.
Artemisia Gentileschi wished to recount the story of this difficult path in her portrayal of a young woman with wild hair wrapped in a magnificent yellow silk gown holding a mirror, the symbol of vanity and inscribed with the words Optimam partem elegit (“you have chosen the best part”, namely virtue) away from her.
The beam of intense light illuminates the figure from the right, a demonstration of the technique Artemisia would have learned by studying Caravaggio's works in Rome, and conveys the sense of drama that envelopes the subject.
Artemisia Gentileschi | The Penitent Mary Magdalene, 1616 (detail) | Pitti Palace