Ernst Lorenz Murowana | Romantic painter

Ernst Hugo Lorenz-Murowana (1872-1950) was an German painter, active in Berlin.

His paintings show predominantly nocturnes views of Berlin, Potsdam, landscapes of Pomerania and from the Baltic Sea, flowers and interiors.

He worked as a painter as well as restorer, and used to live and work in Berlin until his death in 1950.

As he was born in Wielkopolska it is often mistakenly portrayed as a Polish painter.

Jacques Le Nantec, 1940 | Scultore figurativo

Jacques Le Nantec, vero nome Jacques Métayer - è uno scultore Francese nato a Nantes.

Alla età di tredici anni, ripristinò una statuetta rotta e scoprì la passione per la scultura.

Nell’ottobre del 1957, ad Annecy espose le sue prime quindici opere, tra cui due a grandezza naturale.

L'arte visionaria di Anne Bachelier, 1949

Anne Bachelier è nata in Louvigne du Desert, Francia.

Ha studiato presso la Ecole des Beaux Arts, La Seyne-sur-Mer tra il 1966-1970.

L'artista cattura il suo pubblico con avvincenti immagini estremamente fantasiose che sono uniche per inventiva ed immediatamente riconoscibili.

Le sue metafisiche fantasie oniriche evocano sentimenti potenti ma anche pacifici e protettivi.

Odysseas Oikonomou, 1967 | Children portrait painter

Albanian-born Greek painter Odysseas Oikonomou /Οδυσσέας Οικονόμου was born in Dhuvjan, Albania to Greek parents.

He paints from the age of five years old.

At the age of 14 years old, ending eight-year primary school, and after double competition (in Gjirokaster, Berat,) wins a place in the Artistic Liceu "Ajet Xhindole" in Berat.

After a four-year studying, ending in 1985 with excellent the school.

His first teacher was the eminent painter Sotir Capo «Artist i Merituar».

In 1990 he graduated from the Pedagogical Institute of Gjirokastra «Eqerem Çabej».

Adam Miller, 1979 | Renaissance / Baroque style painter

Adam Miller's paintings explore the intersection between mythology, ecology and humanism.

Visually inspired by baroque and Hellenistic narrative painting they take a polytheistic approach to contemporary folklore, questions of progress and the experience of human narrative in the face of technological change and the struggle to find meaning in a world poised between expansion and decay.

Miller's work is mannerist in it's use of the human form as a vehicle of feeling and thought beyond the literal representation of a particular person.