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Howard Rogers, 1932 | Figurative painter

Master Artist Howard Rogers is well known for his paintings of rugged cowboys and their horses, paintings of beautiful figures and for his lyrical figurative bronzes.

For biographical notes -in english and italian- and sculpting works by Howard Rogers see Howard Rogers, 1932 | Bronze figurative sculptures.



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Lotta Blokker, 1980 | Figurative sculptor



When Lotta Blokker (Amsterdam 1980) first encountered the work of the french sculptor Auguste Rodin, during a secondary school excursion to the Musée Rodin in Paris, Lotta Blokker felt that her destiny had been determined. "This is it", she thought, looking at Rodin’s works. At the age of nineteen she travelled to Italy to study sculpture at the Florence Academy of Art.
Her talent was obvious and she started teaching even before she had graduated. The programme had a strong focus on learning the technique of sculpting. Observing, interpreting, drawing, modelling: the hand should follow the eye.

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Aert van der Neer | Dutch Baroque Era painter


Aert van der Neer, Aert also called Aernout (born 1603/04, Gorinchem [also called Gorkum, or Gorcum] or Amsterdam, Netherlands - died November 9, 1677, Amsterdam) Dutch painter of the Baroque period, famous for his nocturnal landscapes and winter scenes. His mastery of light effects is revealed in his many darkened landscapes lit by a full moon or a burning building as well as by his sensitivity to the appearance of light on water and ice.

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Eric Roux-Fontaine, 1966 | Magical Realism painter



Eric Roux-Fontaine was born in the Savoy Region of France. He enrolled at the Fine Art School of Saint-Etienne at the young age of 17 and graduated Summa Cum Laude 5 years later. Since his first solo exhibition in 1991, he has enjoyed sellout shows and overwhelming success throughout Europe. In 1995, the Musée des Beaux-arts of the city of Chambéry and the Musée Paul Dini of the city of Villefranche-sur-Saône acquired works which to date are part of their permanent collections.

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Philip Jackson, 1944 | Abstract /Impressionist sculptor

"My sculptures are essentially an impressionistic rendering of the figure.
Where you see the figure seemingly grow out of the ground, the texture resembles tree bark, rock, or lava flow.
As the eye moves up the sculpture, the finish becomes gentler and more delicately worked, culminating in the hands and the mask, both of which are precisely observed and modeled" - Philip Jackson.