William Wetmore Story | The Libyan Sibyl, 1867

"The Libyan Sibyl", which American sculptor William Wetmore Story (1819-1895) described as “my anti-slavery sermon in stone”, was inspired by events leading up to the Civil War.

Oracle in hand, the Libyan Sibyl, eldest of the legendary prophetesses of antiquity, foresees the terrible fate of the African people.

This premonition is suggested by the heroic figure’s state of brooding cogitation.

Ancient Rome / La Civiltà romana

Ancient Rome, the state centred on the city of Rome. This article discusses the period from the founding of the city and the regal period, which began in 753 bc, through the events leading to the founding of the republic in 509 bc, the establishment of the empire in 27 bc, and the final eclipse of the Empire of the West in the 5th century ad. For later events of the Empire of the East, see Byzantine Empire.

William Wetmore Story | Medea, 1865

In the ancient Greek tragedy by Euripides, Medea was the sorceress who assisted Jason in obtaining the Golden Fleece and later became his wife.

When he abandoned her, Medea murdered their two children and planned the death of his new love, Creusa.

To nineteenth-century theater audiences, Medea was a sympathetic character forced to choose between relinquishing her children and protecting them by destroying them herself. Story similarly deemphasized Medea’s revenge, leaving to the viewer’s imagination the scene of infanticide to come. | © The Metropolitan Museum of Art

William Wetmore Story | Cleopatra, 1858

Neoclassical sculptors often drew upon mythology, ancient history, the Bible, and classical and contemporary literature for their subject matter. The full-size marbles of Massachusetts native William Wetmore Story exemplify this trend, and Cleopatra, his most famous work, was one of dozens of subjects such as Medea, Delilah, Electra, and Saul that were produced in his Rome studio.

Mark Yale Harris | Abstract Figurative sculptor

Mark Yale Harris realized his true passion in the Southwest. Stone carving became his life’s work, as Santa Fe became his home in the late 1990s. He dedicated himself to creating in 1996, and with much to learn, the artist chose a mentor whom he had long admired to assist with honing his burgeoning artistic skills, sculptor Bill Prokopiof (Aleut, 1944-1999). In the spirit of the nation’s most recognized Native American artist, Allan Houser (Chiricahua Apache, 1915-1994), Prokopiof and sculptor Doug Hyde (Nez Perce) took Harris under their wings and generously shared their immense knowledge, talent, and vision. Inspired by the geographical region and grounded in the wisdom of his teachers, he began feverishly creating sculpture.