Leonora Carrington | Surrealist painter and sculptor | Sculpture

Leonora Carrington (1917-2011) was a painter, writer, sculptor, alchemist, visionary, and was the darling of the 1930s Surrealism movement.

She never tried to be a Surrealist, but her paintings of fantastical creatures and living furniture happened to encapsulate the essence of the movement.

Victor Brauner | Surrealist painter

Victor Brauner (1903-1966) was a Romanian Jewish sculptor and painter of surrealistic images.

Brauner was born in Piatra Neamț, Romania, the son of a timber manufacturer who subsequently settled in Vienna with his family for a few years.

It is there that young Victor attended elementary school.

When his family returned to Romania in 1914, he continued his studies at the Evangelical school in Brăila.

His interests revolved around zoology during that period.

Petr Dick /Пётр Дик | Figurative pastel painter

The famous artist Petr Gergardovich Dick /Пётр Гергардович Дик (1939-2002) descendant of immigrants from Northern Germany, was born in Altai. Dick graduated Sverdlov Art School named after I.D. Shadr and Moscow Higher Art Industrial School. Since 1960’s he lived in Vladimir. Peter Dick worked in original style - pastel and charcoal on sandpaper. Characteristic features of his creative activity are strong and delicate color combinations, expressive antiquity of laying figures.

Roberto Weigand, 1968

Roberto Weigand is an award-winning illustrator of children's books and magazine cover designer in Brazil.

Roberto Weigand studied Architecture in São Paulo’s University and in 1991 he started working as an Illustrator for newspapers, magazines and children’s books.

From 1999 he worked as Illustrator and Infographist for Veja magazine, from 2001 he became responsible for Istoé magazine covers and from 2002 he started to write for Publish magazine.

Wieslaw Smetek, 1955 | Conceptual Illustrator

Wieslaw Smetek, born in 1955 in Poland, has been illustrating for the big names among the publishing houses for over twenty years now. He gives their magazines a face, makes them instantly recognizable at the kiosk - and he does it with witty and impudent, but always intelligent allusions. He shows former Federal Chancellor Schröder as a drenched and bedraggled poodle looking very woebegone, or Chancellor Merkel as a mother hen gathering her charges under her wings, or the globe as a beach ball with water running out of it.