William Merritt Chase | The Plein Air Scenes

William Merritt Chase [1849-1916] won many honors at home and abroad, was a member of the National Academy of Design, New York, and from 1885 to 1895 was president of the Society of American Artists.

He became a member of the Ten American Painters after John Henry Twachtman died.

Chase's creativity declined in his later years, especially as modern art took hold in America, but he continued to paint and teach into the 1910s.

During this period Chase taught such up and coming young artists as Arthur Hill Gilbert and Edward Hopper.

One of his last teaching positions was at Carmel, California in the summer of 1914.

Camille Claudel | L’Abandon, 1988-1905

The present work, known in its final state as L’Abandon, can trace its origin to the 1888 plaster by Claudel known as Sakountala. Based on the eponymous Indian legend of the 5th century in which the heroine loses the affection of her beloved prince, only to regain it once more, the plaster was awarded an honorable mention at the Salon that same year. In fact, Sakountala most likely inspired Rodin and his famous composition of the following year, L’Eternelle idole.

Max Buri | Portrait / Genre painter

Max Alfred Buri (1868-1915) was an Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne.

From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold Böcklin.

In 1886 he went to the Akademie der Bildenden Künste in Munich, transferring in 1887 to Simon Hollosy's painting school.

Picasso: Painting is a blind man's profession..

Pablo Picasso - Two figures, 1904

La pittura è una professione da cieco: uno non dipinge ciò che vede, ma ciò che sente, ciò che dice a se stesso riguardo a ciò che ha visto - Pablo Picasso

Barry Gross, 1948 | Portrait / Surrealist painter

In art historical terms, the early works of Barry Gross, American painter, combine the hyperfocus of Surrealism with Renaissance spirituality and humanism.

It is then all set to motion with the dynamism and drama of Baroque.

Dali and Fra Angelico join forces with Bernini.