Tom Lovell (1909-1997) was a founding member of the National Academy of Western Art. He received many honors for his illustrations and paintings. He was winner of the prestigious Prix de West award twice for his paintings. He was inducted into the Society of Illustrators in 1974. In 1992, Lovell received the Lifetime Achievement Award from the National Cowboy Hall of Fame and the Robert Lougheed Memorial Award for Traditional Painter of Western History.
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Tom Lovell | Western painter and illustrator
Robert Hagan, 1947 | Western painting
Lorenzo Bartolini | Neoclassical sculptor
Lorenzo Bartolini (7 January 1777 - 20 January 1850) has been recognised as one of the great sculptors of Europe.
His style is quite different from the traditional Neo-Classical style of Antonio Canova and Bertel Thorvaldsen, because it is not based on the antique or on standard Academic principles.
He was a controversial and polemical artist.
His fascinating life has all the drama of a novel by Stendhal.
Giambologna | Hercules and the Centaur Nessus, 1599
The marble group of Hercules and the Centaur Nessus, was completed in 1599 by Flemish sculptor Giambologna, born Jean Boulogne (1529-1608). The sculpture was carved, impressively, from a single block of marble by Giambologna and it sits in the open-air gallery Loggia dei Lanzi on the Piazza della Signoria in Florence, among the square's other famous marble occupants.
Showing an advanced understanding of anatomy - visible in Hercules' rib cage, showing through his taut skin and the veined legs of the centaur, poised in battle - Giambologna's statue is a powerful evocation of the strength of mortal man.
Lorenzo Bartolini | The Nymph Arnina, 1825
For the first time ever, the original marble The Nymph Arnina by Lorenzo Bartolini (1777-1850), was exposed to the public for the first time on 18 November until February 8th 2015, accompanied by his beautiful plaster cast, owned by the Academy Gallery, returned after being deposited for a few decades at the Civic Museum of Prato, and together with some documents aimed to evoke the complex history of the work that Bartolini, in this version, shows the dedication to Giovanni degli Alessandri, leading figure in the cultural life of the early nineteenth century Florentine.
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