Agnolo Bronzino | Descent of Christ into Limbo, 1552

Agnolo Bronzino of Florence, Italy, known as Il Bronzino, was a Mannerist painter.

Mixing styles of the late High Renaissance into the early Baroque period, Mannerists often depicted their subjects in unnatural forms.

Bronzino’s works have been described as “icy” portraits that put an abyss between the subject and the viewer.

Salvator Rosa | Allegory of Fortune, 1659

Salvator Rosa (1615-1673) was one of the least conventional artists of 17th-century Italy, and was adopted as a hero by painters of the Romantic movement in the later 18th and early 19th centuries. He was mainly a painter of landscapes, but the range of his subject matter was unusually wide and included portraits and allegories...
For biographical notes and works by Rosa, see Salvator Rosa | Baroque Era style.

Salvator Rosa | Baroque painter

Salvator Rosa (1615 - March 15, 1673) was an Italian Baroque painter, poet and printmaker, who was active in Naples, Rome and Florence.

As a painter, he is best known as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

He was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615.

Camille Przewodek | Plein Air / Colorist painter

Camille Przewodek was born in Detroit, Michigan. She grew up inspired by her artistically-talented brother to pursue a career in art. After graduating with a degree in painting from Wayne State University, she migrated to the West Coast.

A perennial student, she saw fit to expand her “left brain” education with several semesters of political science at City College of San Francisco.

Later on she decided she’d like to train as a commercial artist so she enrolled at the Academy of Art College, earning a BFA in Illustration. At this point she met her future husband, Dale Axelrod, who introduced her to master painter, teacher and colorist, Henry Hensche.

Laugé Achille | Neo-impressionist painter

French painter Achille Laugé (1861-1944) was an Neo-Impressionist painter born in Arzens.

In 1882, he began his studies at the École Nationale Supérieure des Beaux-Arts under the direction of French artists Alexandre Cabanel (1823-1889) and Jean-Paul Laurens (1838-1921).

In Paris, he met artist Aristide Maillol (French painter, 1861-1944), with whom he shared a studio and maintained a life-long exchange and friendship.