Gustave Moreau | Symbolist painter

Gustave Moreau, (Paris, 1826-1898), French Symbolist painter known for his erotic paintings of mythological and religious subjects.

The only influence that really affected Moreau’s development was that of his master, Théodore Chassériau (1819-56), an eclectic painter whose depictions of enigmatic sea goddesses deeply impressed his student.

In the Salon of 1853 he exhibited Scene from the Song of Songs and the Death of Darius, both conspicuously under the influence of Chassériau.

Albert Marquet | Fauve painter

Albert Marquet (27 March 1875 - 14 June 1947) was a French painter, associated with the Fauvist movement.

He initially became one of the Fauve painters and a lifelong friend of Henri Matisse.

Marquet subsequently painted in a more Naturalistic style, primarily landscapes, but also several portraits and, between 1910-1914, several female paintings.

Zbigniew Kopania, 1949 | Still Life/Landscape painter

Zbigniew Kopania Henry was born in Lodz, Poland. Having graduated from secondary schools in 1969, he became a student at the state theatrical, television, and film college, the Faculty of Camera-Works. Included among its distinguished alumni is Roman Polanski.
Together with film and photographic activities, he cultivated paintings in the department of Art. The early stage of his painting was under the guidance of Dr. K. Zwolinska and J. Mierzejewski, a renowned painter in Poland and abroad.

Domenico Morelli | Symbolist painter

Domenico Morelli (1823-1901) was an Italian painter, who mainly produced historical and religious works.

Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into the passionate, often patriotic, Romantic and later Symbolist subjects of his canvases.

Vincenzo Gemito (1852-1929) | Figurative sculptor

Giuseppe Verdi [1813-1901]

Vincenzo Gemito born in Naples in 1852, is considered to be the most important Italian sculptor of the late nineteenth century and is increasingly regarded as one of its greatest draughtsmen.

His origins were unpromising.

An orphan street child until he was adopted by a poor artisan, he was put out as an assistant to the sculptor Emanuele Caggiano at the age of nine.

He then attached himself informally to the older but more progressive sculptor Stanislao Lista, who apparently encouraged him to work from street models.