William Waterhouse | The Modern Pre-Raphaelite

British painter of classical, historical, and literary subjects, John William Waterhouse (1849-1917) was born in Rome, where his father worked as a painter.

In the 1850s the family returned to England. Before entering the Royal Academy schools in 1870, Waterhouse assisted his father in his studio.

His early works were of classical themes in the spirit of Sir Lawrence Alma-Tadema and Frederic Leighton, and were exhibited at the Royal Academy, the Society of British Artists and the Dudley Gallery.

Cha Soo Griffith | Cityscape painter

Korean painter Soo Cha Griffith lives in Knoxville, but her artist's spirit lives in the picturesque villages and gardens of Italy and France. Griffith paints and sketches a wide variety of subjects, but her favorites are old-world towns, streets, coastal areas, open meadows, flower gardens and people. Her favorite place to paint, she said, is around Lake Como in northern Italy, Griffith said.

Van Gogh | Scoperto il 'Tramonto a Montmajour', 1888

"Tramonto a Montmajour': questo il titolo del quadro di Vincent Van Gogh 'scoperto' dal Museo di Amsterdam dedicato al celebre pittore Olandese ed ora presentato al pubblico.

La paternità dell'opera, secondo le informazioni diffuse dal museo, è stata accertata attraverso il minuzioso lavoro condotto da due esperti che hanno esaminato la tecnica utilizzata, la tela, lo stile e tutti gli indizi disponibili.

Antonio Ermolao Paoletti | Genre painter

Antonio Ermolao Paoletti (Venice, May 8, 1834 - Venice, December 13, 1912) was an Italian painter, mainly of Venetian genre scenes, recalling Bamboccianti life of children and women, as well as sacred fresco work for churches in the Veneto.

Antonio's father, Ermolao Paoletti, was a well known scholar and writer of Venice.

He wrote a much cited expansive guide to its architecture, monuments, artistic works, and customs.

Giorgio De Chirico | Arte e pensiero

• Un'opera d'arte per divenire immortale deve sempre superare i limiti dell'umano senza preoccuparsi né del buon senso né della logica.

• L'arte deve creare sensazioni sconosciute in passato; spogliare l'arte dal comune e dall'accettato... sopprimere completamente l'uomo quale guida o come mezzo per esprimere dei simboli, delle sensazioni, dei pensieri, liberare la pittura una volta per tutte dall'antropomorfismo... vedere ogni cosa, anche l'uomo, nella sua qualità di cosa.