Mexican painter Juan Medina was born in Mexico City. In the beginning it was shape, then came light, afterwards color and finally texture; as in the architectonic creation, the genesis of Juan Medina’s pictorial work rests on a solid structure of techniques and concepts that weave in plastic dimensions his memories made of oil and canvas.
With time, the step from watercolor to oil was the resource that allowed him to approach with mastery the conscience of time encrusted in stone, wood, mirrors and all model object that transfers Renaissance rhetoric without moralizing it.
With time, the step from watercolor to oil was the resource that allowed him to approach with mastery the conscience of time encrusted in stone, wood, mirrors and all model object that transfers Renaissance rhetoric without moralizing it.