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Deidre But-Husaim, 1959 ~ Futurist / Hyperrealist painter

Deidre But-Husaim is a visual artist based in Adelaide who has painting at the core of her practice. She attended Adelaide Central School of Art and Adelaide Centre for the Arts. She paints with oil on canvas (linen), her work is mostly figurative.
Deidre But-Husaim 1959 | Australian Futurist painter
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Ottorino De Lucchi, 1951

Ottorino De Lucchi 1951 | Italian Hyperrealist painter
Il pittore Italiano Ottorino De Lucchi è nato a Ferrara. Si è laureato in Chimica 1975 e Farmacia 1977 presso l’Università di Padova. E’ membro della Società Chimica Italiana dal 1977, dove ha ricoperto la carica di Presidente della Divisione di Chimica Organica e dal 1979 è membro dell’American Chemical Society. Nel 1984 ha ricevuto la medaglia Ciamician dalla Società Chimica Italiana, nel 1993 il premio Federchimica e nel 1997 il prestigioso Zeneca lecture prize, presso Wilmington, USA.
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Jeff Legg, 1959 | Still Life painter

Jeff C. Legg’s artistic interests developed in childhood and by age 13, he was apprentice to a well known regional artist and college art professor Darrel Dishman. This nearly four years of mentoring under Mr. Dishman laid the foundation for his drawing and painting skills which led him to study at the Atelier Lack in Minneapolis and the Minneapolis College of Art and Design.

Jeff Legg 1959 | American Still Life painter

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Scultura vegetale ~ L'arte Topiaria

L'Arte Topiaria, ars Topiaria in latino, o Hedge sculptur, nata all'epoca dell'Antica Roma, è una forma della Scultura Vegetale. Consiste nel potare alberi e arbusti al fine di dare loro una forma geometrica, diversa da quella naturalmente assunta dalla pianta, per scopi ornamentali.
L'arte Topiaria | Scultura vegetale
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Marcos Damascena, 1981 | Realist painter

Marcos Damascena 1981 | Hyperrealist painter

Marcos Damascena was born in Poções Bahia and rooted in São Paulo, where he began his artistic career studying with what was considered the biggest names in art education in his country.
He studied drawing technique and live figure drawing with professor Luis Alberto, in the Association Paulista of Fine Arts. Afterwards, he studied the theory of color and anatomy of animals, with emphasis on the study of horses with the master, Jorge Abraham Esteves.
His talent developed with surprising speed.