Givi Siproshvili

In 1971, graduated from Tbilisi Academy of Arts by specialty of painting. Since 1974, he became the member of the Union of artists of USSR and Georgia. Since 2000, he was the member of the International Federation of artists (UNESCO).

After graduating from the Academy of Arts, I participated both in numerous republic exhibitions and All-Union exhibitions. I have participated in more than 200-s group and in 7 personal exhibitions.

Il cimitero monumentale di Staglieno

The Cimitero monumentale di Staglieno is an extensive monumental cemetery located on a hillside in the district of Staglieno of Genoa, Italy, famous for its monumental sculpture. Covering an area of more than a square kilometre, it is one of the largest cemeteries in Europe.

History

The design of the cemetery of the City of Genoa dates back to Napoleon's Edict of Saint-Cloud from 1804, when he forbade burials in churches and towns.

The original project was approved in 1835 by the City's architect Carlo Barabino (1768-1835). However, he died the same year as a result of the cholera epidemic that struck the city and the project passed to his assistant and pupil Giovanni Battista Resasco (1798-1871).

Selene Salvi

Nata nel 1976 e vive a Napoli, Italia.

Alberto Aragòn Reyes, 1980 | Symbolist painter / sculptor

Sculptor Alberto Aragón Reyes was 8 April 1980 inOaxaca, Mexico, a region known for its rebellious nature.

His work is strongly influenced by mural painting, which he works on in addition to his other artistic activities.

His works are charged with the spiritual nature of the relationship between people and animals, which has a strong tradition in Mexico. His motifs and themes are strongly influenced by the ancient traditions of old Mexico.

Ken Hamilton, 1956

Born in Nigeria, West Africa, Irish painter Ken Hamilton returned to Ireland at the age of eleven where he eventually went to Art College in Belfast.

Seeking to learn about the science of art, Hamilton spent a lot of time researching and experimenting in order to learn as no one else had done it before.

On the contrast to other painters, Hamilton’s works did not so much portray his own emotions; instead they revealed the world we live in today and what we know about our world today.

Rejecting the trends of so-called contemporary art, he has sought to restore some of the ancient values of painting now discarded by so many.