Garnet Ruskin Wolseley (1884-1967)

Garnet Ruskin Wolseley was a British landscape, figure and portrait painter. Born in London in 1884 he trained at the Bushey School of Painting winning a scholarship to Slade School of Fine Art.

He moved to Newlyn, Cornwall, in 1908 and became good friends with Harold and Laura Knight, the latter influencing his early work.

He painted mostly landscapes around Newlyn and the Lamorna Valley exhibiting regularly at the Royal Academy.

Vincent van Gogh | Le pont de Trinquetaille, 1888

The fifteen months that Van Gogh spent at Arles in 1888-1889 represent a pivotal moment in his career, "the zenith, the climax, the greatest flowering of Van Gogh's decade of artistic activity", according to Ronald Pickvance.

Freed from the pressures of urban life and inspired by the brilliant Provençal light, the artist integrated the results of months of experimentation and produced one modern masterpiece after another. With its bold composition and expressive palette, "Le pont de Trinquetaille" epitomizes his mature style.

Anthony Hopkins: "Lascia andare le persone che non sono pronte ad amarti"..

"Let go the people who are not prepared to love you. This is the hardest thing you will have to do in your life and it will also be the most important thing. Stop having hard conversations with people who don't want change.

Stop showing up for people who have no interest in your presence. I know your instinct is to do everything to earn the appreciation of those around you, but it's a boost that steals your time, energy, mental and physical health".

Marc Chagall | La Promenade, 1917

Rose Barton RWS (1856-1929) | Watercolor painter

Rose Mary Barton RWS was an Anglo-Irish artist; a watercolourist who painted landscape, street scenes, gardens, child portraiture and illustrations of the townscape of Britain and Ireland.

Barton exhibited with a number of different painting societies, most notably the Watercolour Society of Ireland (WCSI), the Royal Academy (RA), the Royal Hibernian Academy (RHA), the Society of Women Artists and the Royal Watercolour Society (RWS).

Wassily Kandinsky | V - The psychological working of color

Concerning the Spiritual in Art, 1910

Part II: About painting

To let the eye stray over a palette, splashed with many colours, produces a dual result. In the first place one receives a PURELY PHYSICAL IMPRESSION, one of pleasure and contentment at the varied and beautiful colours.

The eye is either warmed or else soothed and cooled. But these physical sensations can only be of short duration.

They are merely superficial and leave no lasting impression, for the soul is unaffected. But although the effect of the colours is forgotten when the eye is turned away, the superficial impression of varied colour may be the starting point of a whole chain of related sensations.

On the average man only the impressions caused by very familiar objects, will be purely superficial.

Wassily Kandinsky | Roses, 1993