Leonardo da Vinci | Ultima Cena / Last Supper, 1494-1498

Last Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1494 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan.

It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist.

According to Leonardo’s belief that posture, gesture, and expression should manifest the “notions of the mind”, each one of the 12 disciples reacts in a manner that Leonardo considered fit for that man’s personality.

The result is a complex study of varied human emotion, rendered in a deceptively simple composition.

Leonardo da Vinci | Ultima Cena / Last Supper, 1494-1498 | Convent of Santa Maria delle Grazie, Milan

Luigi Russolo | Futurist painter

Luigi Carlo Filippo Russolo (1885-1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913).

Russolo completed his secondary education at Seminary of Portograuro in 1901, after which he moved to Milan and began gaining interest in the arts.

He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913-14 and then again after World War I, notably in Paris in 1921.

He designed and constructed a number of noise-generating devices called Intonarumori.

Mariangela Gualtieri | Amore mio / My love

Amore mio,

è difficile da questo fondo, da questo finale, dire come mi manchi,

come immenso tu sei nel mancare, adesso che mi sono persa

fra masse dure, fra cinghie di buio pesto, senza divinità,

senza la tua mano che tutto sorregge.

Marc Chagall | The Lovers, 1929

Auguste Rodin | L'Adieu / Farewell, 1898

The Farewell or The Convalescent / L'adieu - is composed of Camille Claudel with short hair (1884) and two independent hands added in front of her face, the work attests to Rodin's passion for assemblages, evident in both his narrative and portraiture registers.

By placing her head and hands on a block of plaster, Rodin shed light on his thoughts about pedestals.

The construction causes Camille's face to stand out slightly from the plaster block and conveys a sense of slow absorption that contributes to the melancholy of the composition.

Auguste Rodin | L'Adieu /Farewell, 1898 | Musée Rodin, Paris

Stefan Zweig | The World of Yesterday: Memories of a European / Il mondo di Ieri, 1942

Stefan Zweig (1881-1942) was an Austrian writer.

At the height of his literary career, in the 1920s and 1930s, he was one of the most widely translated and popular writers in the world.

The World of Yesterday: Memoires of a European (German title Die Welt von Gestern: Erinnerungen eines Europäers) is the memoir of writer Stefan Zweig.

It has been called the most famous book on the Habsburg Empire.

He started writing it in 1934 when, anticipating Anschluss and Nazi persecution, he uprooted himself from Austria to England and later to Brazil.

He posted the manuscript, typed by his second wife Lotte Altmann, to the publisher the day before they both committed suicide in February 1942.

The book was first published in the original German-language by an anti-Nazi Exilliteratur publishing firm based in Stockholm (1942), as Die Welt von Gestern.

It was first published in English in April 1943 by Viking Press.

In 2013, the University of Nebraska Press published a translation by the noted British translator Anthea Bell.

In "The World of Yesterday", Stefan Zweig states:

"We of the new generation who have learned not to be surprised by any outbreak of bestiality, we who each new day expect things worse than the day before, are markedly more skeptical about a possible moral improvement of mankind.

We must agree with Freud, to whom our culture and civilization were merely a thin layer liable at any moment to be pierced by the destructive forces of the "underworld".

Caspar David Friedrich | Wanderer above the Sea of Fog, 1818 | Hamburger Kunsthalle, Hamburg