Antonio Mancini | Verist painter

Antonio Mancini (14 November 1852 - 28 December 1930) was an Italian painter.

Mancini was born in Rome and showed precocious ability as an artist.

At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi.

Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880

Renoir’s Jeune fille (L'Eté) is a pretty pastel fantasy: a plump brunette wears a breezy white chemise and a fashionable straw hat, festooned with a thick blue ribbon.

This Impressionist goddess of summer, nestled in a flowering meadow, has adorned her hat with freshly plucked blooms.

She leans towards the viewer with a sweet, languid look, her lips gently parted.

The sensuality of her expression is underscored by the casual exposure of her bare shoulder, arms and décolleté.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880 | Christie's

Gli articoli pubblicati da Tutt'Art@ durante il 2024

Questa raccolta inizia con l'ultimo articolo del 2024: "When was it decided that January 1st is the new year?" / "Quando è stato deciso che il 1° gennaio diventasse il primo giorno dell'anno?", pubblicato il 31 Dicembre 2024 e finisce con l'articolo dedicato al pittore impressionista Olandese René Jansen (1956-2022).

When was it decided that January 1st is the new year? 2024-12-31
Kike Meana, 1969 | Figurative painter 2024-12-29
Marlène Dietrich and Édith Piaf 2024-12-29
Vincent Van Gogh | Butterflies series2024-12-28

José Luis Corella, 1959 | Classical realism painter

5 Masterpieces of The Metropolitan Museum of Art

The Metropolitan Museum of Art presents over 5,000 years of art from around the world for everyone to experience and enjoy.

The Museum lives in two iconic sites in New York City - The Met Fifth Avenue and The Met Cloisters.

Millions of people also take part in The Met experience online.

Since its founding in 1870, The Met has always aspired to be more than a treasury of rare and beautiful objects.

Every day, art comes alive in the Museum's galleries and through its exhibitions and events, revealing new ideas and unexpected connections across time and across cultures.

Guido Reni | The Immaculate Conception, 1627

Guido Reni (Bologna, 1575-1642), during his lifetime the most celebrated living painter in Italy, was famous for the elegance of his compositions and the beauty and grace of his heads, earning him the epithet "Divine".

This altarpiece, with its otherworldly space shaped by clouds and putti in a high-keyed palette, was commissioned in about 1627 by the Spanish ambassador in Rome for the infanta of Spain.

It later hung in the cathedral of Seville, where it deeply influenced Spanish painters, especially Bartolomé Estebán Murillo, whose workshop produced many iterations of this subject.

The Immaculate Conception became a symbol of the universality of the Catholic Church and was used for the conversion of populations across Spain’s global empire. | Source: © Metropolitan Museum of Art

Guido Reni (Italian, 1575-1642) | The Immaculate Conception, 1627 | Metropolitan Museum of Art

Salon des Indépendants, Paris 1884

Since 1884, the Salon des Indépendants has played a key role in the history of world art.

Salon des Indépendants, annual exhibition of the Société des Artistes Indépendants, held in Paris since 1884.

In the course of revolutionary developments in painting in late 19th-century France, both artists and the public became increasingly unhappy with the rigid and exclusive policies of the official Salon, an exhibition held sporadically between 1667-1737 and annually thereafter by the Académie Royale de Peinture, which had maintained almost total control over the teaching and exhibition of art since about 1661.

Edgar Degas | Repasseuses | Musée d'Orsay

James Ensor | The Oyster Eater / La mangiatrice di ostriche, 1882

"The Oyster Eater" is an oil painting executed in 1882 by the Belgian Expressionist artist James Ensor which is now in the collection of the Royal Museum of Fine Arts, Antwerp.

The genre work depicts the artist's sister Mitche eating oysters on her own at a well-appointed table replete with flowers, plates, wine and table linen.

Art critics were unapologetic about James Ensor's "The Oyster Eater".

"Offensive! Immoral! Vice!"

Yet there is not a streak of nudity to be seen, nor intimately entwined bodies.

So what was the problem?

Ferdinand du Puigaudeau | Neo-Impressionist painter

French painter Ferdinand Loyen du Puigaudeau (1864-1896) is often known for his mystical scenes of processions and carnivals around Pont Aven and by his association with the Gauguin and the Pont Aven School.

Still, after Gauguin moved on to the Pacific and many of the other artists of the group to Paris, Puigaudeau remained on the coast, moving an estate called Kervaudu at Le Croisic, near the mouth of the Loire.

Once there, he turned his attention to the beautiful landscape of the region: coastal cliffs with twisting fig trees, flowering fields dotted with small villages.

Edgar Degas | Repasseuses / Le Stiratrici, 1884-1886

Degas often made portraits of his family and friends but he was also an attentive observer of the working world in millinery workshops or laundries.

Only Daumier before him had taken an interest in washerwoman, who became one of Degas's favorite subjects between 1869-1895.

At first he painted single figures seen against the light, picked out sharply against the white linen.

Then, about 1884-1886, he dwelled more heavily on the subject, this time depicting two women in a laundry.

Albert de Belleroche | Painter of Belle Époque

Count Albert Gustavus de Belleroche (1864-1944), also known as Albert Belleroche, was a Welsh painter and lithographer, who lived most of his childhood and his adulthood in Paris and England.

He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933.

150 years of the First Impressionist Exhibition, 1874-2024

150 years ago, on April 15, 1874, a group of artists called the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibition in Paris that launched the movement called Impressionism.

Its founding members included Claude Monet, Edgar Degas and Camille Pissarro, among others.

Thirty-one artists had gathered to hold their own art fair, outside the official Salon, in a declaration of independence that marked the birth of a groundbreaking art movement.

Claude Monet | Impression, Sunrise, 1872 | Paris, Musée Marmottan Monet

Georges Jeanniot | Belle Époque painter

Pierre-Georges Jeanniot (1848-1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France.

His work often depicts the modern life in Paris.

The artistic education of Pierre-Georges Jeanniot began with his father, Pierre-Alexandre Jeanniot (1826–1892), a longtime director of l'École des Beaux-Arts of Dijon, France.

Pierre-Georges Jeanniot started out pursuing a military career, as an infantry officer (1866-1881).

Margaret Keane | Big eyes

Andy Warhol said:

"I think what Keane has done is terrific! If it were bad, so many people wouldn’t like it".

Born in Nashville, Tennessee, Margaret Keane (born Peggy Doris Hawkins, September 15, 1927 - June 26, 2022) always loved to paint and draw since an early age.

She first made her paintings famous in San Francisco’s North Beach in the 1950s.

Margaret’s work drew little accolades from art critics but was loved and admired by the world.

Margaret went on to become one of the most successful living artists in the early 60s to present day.

Jacques-Émile Blanche | Portrait painter

Jacques-Émile Blanche (1861-1942) was a French painter and writer.

His father, a fashionable nerve specialist, owned a clinic where many of Blanche's sitters had been patients.

As a painter he had both talent and charm, and he enjoyed a great vogue in his day.

His work lacks originality and was much influenced by such contemporaries as James Tissot and John Singer Sargent.

The loose brushwork and subdued colouring of his portraits are also reminiscent of Edouard Manet and English 18th-century artists, especially Thomas Gainsborough.

René Rousseau-Decelle | Le pesage de Longchamp, 1910

René Rousseau-Decelle studied with the master of French Academic painting, William Bouguereau, in the waning years of the older artist’s life.

It is clear that the young Rousseau-Decelle quickly moved away from the tightly-painted images of French peasant girls and threw himself headlong into the world of the haute bourgeoisie of fin-de-siècle Paris.

Like his master, Rousseau-Decelle found a very commercially successful niche and adhered to that formula throughout his career.

René Rousseau-Decelle | Le pesage de Longchamp, 1910 (detail)

Sir William Rothenstein | Portrait painter

Sir William Rothenstein (1872-1945) was an English painter, printmaker, draughtsman, lecturer and writer on art.

Emerging during the early 1890s, Rothenstein continued to make art right up until his death.

Though he covered many subjects - ranging from landscapes in France to representations of Jewish synagogues in London - he is perhaps best known for his work as a war artist in both world wars, his portraits, and his popular memoirs, written in the 1930s.

More than two hundred of Rothenstein's portraits of famous people can be found in the National Portrait Gallery collection.

Happy Birthday Édouard Manet!

It’s Édouard Manet’s birthday - born on this day - January 23, 1832. To this day, Manet is still considered to be the father of Modernism.

Édouard Manet -the eldest son of an official in the French Ministry of Justice- had early hopes of becoming a naval officer. After twice failing the training school's entrance exam, the teenager instead went to Paris to pursue a career in the arts. There he studied with Thomas Couture and diligently copied works at the Musée du Louvre.

The biennial (and later, annual) Parisian Salons were considered the most expedient way for an artist to make himself known to the public, and Manet submitted paintings to Salon juries throughout his career. In 1861, at the age of twenty-nine, he was awarded the Salon's honorable mention for The Spanish Singer.

Alfred Stevens | Academic Classical painter

Alfred Émile Léopold Stevens (11 May 1823 - 24 August 1906) was a Belgian painter, known for his paintings of elegant modern women.

After gaining attention early in his career with a social realist painting depicting the plight of poor vagrants, he achieved great critical and popular success with his scenes of upper-middle class Parisian life.

In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting.

Happy birthday Berthe Morisot!

Berthe Morisot was an essential figure in the Impressionist movement (a small group of inventive creators who organized independent exhibitions in protest against established art institutions in Paris).

Morisot’s paintings are visual poems.

Staying true to the tenets of impressionism, at first glance, you immediately notice her loose brushstrokes and colors that reflect the hues of nature.

Then, you realize later the absorbing quality of her work. Her paintings are hard to stop thinking about when you leave them.

Why?

Because Morisot had an understanding of women and their experiences that was uncommon for an artist at the time.

She painted women existing in their everyday lives in a way that was not present in the work of her male counterparts.

Rather than simply looking at these women, in Morisot’s work, you take time to think about what it’s like to be them and in their world. | National Gallery of Art

Salon des Refusés (May 15, 1863)

Salon des Refusés is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.

Today by extension, salon des refusés refers to any exhibition of works rejected from a juried art show.

Among the exhibitors were Paul Cézanne, Camille Pissarro, Armand Guillaumin, Johan Jongkind, Henri Fantin-Latour, James Whistler and Édouard Manet, who exhibited his famous painting "Le Déjeuner sur l’herbe", officially regarded as a scandalous affront to taste.

Édouard Manet | Le Déjeuner sur l'herbe, 1863 | Musée d'Orsay, Paris

Ten American Painters, 1897-1918

The Ten American Painters (also known as The Ten) was an artists' group formed in 1898 to exhibit their work as a unified group.

John Henry Twachtman, J. Alden Weir and Childe Hassam were the driving forces behind the organization. Dissatisfied with the conservatism of the American art establishment, the three artists recruited seven others from Boston, New York City, and elsewhere on the East Coast, with the intention of creating an exhibition society that valued their view of originality, imagination, and exhibition quality.

The Ten achieved popular and critical success, and lasted two decades before dissolving.

Foundation

In America, popular painting styles usually originated on the east coast in cities like New York and Boston.

The Ten continued a tradition of artists forming new groups in reaction to a lack of support from existing artists' groups. Thus, the National Academy of Design (founded in 1825 by students dissatisfied by the conservatism of the older American Academy of the Fine Arts) eventually became too conservative to suit the artists who in 1877 initiated the Society of American Artists so they could meet and exhibit their work as a collective.

Frank W. Benson | Summer, 1909