10 Masterpieces of the Musée d’Orsay

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

This painting is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Though some of his friends appear in the picture, Renoir's main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre.

The study of the moving crowd, bathed in natural and artificial light, is handled using vibrant, brightly coloured brushstrokes.

The somewhat blurred impression of the scene prompted negative reactions from contemporary critics.

This portrayal of popular Parisian life, with its innovative style and imposing format, a sign of Renoir's artistic ambition, is one of the masterpieces of early Impressionism. | © Musée d'Orsay, Paris

Pierre-Auguste Renoir (French, 1841-1919) | Bal du moulin de la Galette, 1876 | Musée d'Orsay, Paris

5 Masterpieces at the Uffizi Gallery

The Uffizi Gallery entirely occupies the first and second floors of the large building constructed between 1560-1580 and designed by Giorgio Vasari.

It is famous worldwide for its outstanding collections of ancient sculptures and paintings (from the Middle Ages to the Modern period).

The collections of paintings from the 14th-century and Renaissance period include some absolute masterpieces: Giotto, Simone Martini, Piero della Francesca, Beato Angelico, Filippo Lippi, Botticelli, Mantegna, Correggio, Leonardo, Raffaello, Michelangelo and Caravaggio, in addition to many precious works by European painters (mainly German, Dutch and Flemish).

Moreover, the Gallery boasts an invaluable collection of ancient statues and busts from the Medici family, which adorns the corridors and consists of ancient Roman copies of lost Greek sculptures.

Johan Zoffany (1733-1810) | Tribuna of the Uffizi, 1772-1777 | Royal Collection (UK)

Juliette Wytsman | Impressionist painter

Juliette Wytsman (1866-1925) was a Belgian impressionist painter.

She was married to painter Rodolphe Wytsman.

Her paintings are in the collections of several museums in Belgium.

Wytsman was born as Juliette Trullemans on 14 July 1866 in Brussels, in Belgium.

She first studied under Henri Hendrickx at the Bischoffsheim Institute in Brussels.

8 Notable artworks at the Cleveland Museum of Art

The Cleveland Museum of Art is renowned for the quality and breadth of its collection, which includes more than 63,000 artworks and spans 6,000 years of achievement in the arts.

The museum is a significant international forum for exhibitions, scholarship, and performing arts and is a leader in digital innovations.

One of the top comprehensive art museums in the nation, recognized for its award-winning Open Access program and free of charge to all, the Cleveland Museum of Art is located in the University Circle neighborhood.

John French Sloan | A woman's work, 1912 | Cleveland Museum of Art

Trained as a journalist, the young John French Sloan (1871-1951) explored social issues more vigorously than most of the painters of his time, portraying working-class urbanites engaged in ordinary activities.

He observed this particular scene through a rear window of his Manhattan apartment.

Perched on a narrow fire escape, a woman hangs fresh laundry to dry on clotheslines strung between tenements.

As evidenced by the painting, the labors of American women at the turn of the 1900s were most often confined to the domestic realm. | Source: © Cleveland Museum of Art

John French Sloan (American, 1871-1951) | A woman's work, 1912 | Cleveland Museum of Art

Margaret Mead | Remember me / Ricordati di me

Years ago, American cultural anthropologist, author and speaker Margaret Mead (1901-1978) was asked by a student what she considered to be the first sign of civilization in a culture.

The student expected Mead to talk about fishhooks or clay pots or grinding stones.

But no. Mead said that the "first sign of civilization in an ancient culture was a femur (thighbone) that had been broken and then healed".

Mead explained that in the animal kingdom, if you break your leg, you die.

"You cannot run from danger, get to the river for a drink or hunt for food.

You are meat for prowling beasts.

No animal survives a broken leg long enough for the bone to heal.

A broken femur that has healed is evidence that someone has taken time to stay with the one who fell, has bound up the wound, has carried the person to safety and has tended the person through recovery.

Helping someone else through difficulty is where civilization starts", Mead said.

Margaret Mead | Remember me

To the living, I am gone,

To the sorrowful, I will never return,

To the angry, I was cheated,

But to the happy, I am at peace,

And to the faithful, I have never left.

Dame Laura Knight | The Dark Pool, 1908-1918

Wisława Szymborska | Il poeta ed il mondo

Descritta dal comitato per il Nobel come il "Mozart della poesia" ma con "qualcosa della furia di Beethoven", Wisława Szymborska (1923-2012) è stata insignita del Premio Nobel per la letteratura nel 1996 "per una poesia che, con ironica precisione, permette al contesto storico e biologico di venire alla luce in frammenti d'umana realtà".

Il discorso della poetessa Wislawa Szymborska alla consegna del premio Nobel

7 dicembre 1996

(✔en) In un discorso, a quanto pare, la prima frase è sempre la più difficile.

Ebbene, la prima è comunque andata.

Ma ho la sensazione che anche le frasi successive - la terza, la sesta, la decima e così via, fino all'ultima parola - saranno altrettanto difficili, perché si suppone che io parli di poesia.

Pawel Kuczynski

Wisława Szymborska | The poet and the world

Described by the Nobel committee as the "Mozart of poetry" but with "something of the fury of Beethoven", Wisława Szymborska (1923-2012) was awarded the 1996 Nobel Prize in Literature "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality".

Wisława Szymborska | Nobel Lecture

December 7, 1996

(✔it) They say the first sentence in any speech is always the hardest. Well, that one's behind me, anyway. But I have a feeling that the sentences to come - the third, the sixth, the tenth, and so on, up to the final line - will be just as hard, since I'm supposed to talk about poetry.

I've said very little on the subject, next to nothing, in fact. And whenever I have said anything, I've always had the sneaking suspicion that I'm not very good at it. This is why my lecture will be rather short. All imperfection is easier to tolerate if served up in small doses.

Jonathan Wolstenholme

Antonia Pozzi | La vita sognata, 1933

Chi mi parla non sa

che io ho vissuto un’altra vita -

come chi dica

una fiaba

o una parabola santa.

Perchè tu eri

la purità mia,

tu cui un’onda bianca

di tristezza cadeva sul volto

Amedeo Modigliani | Portrait of Jeanne Hebuterne with her Left Arm Behind her Head

Lettere d'amore | Eleonora Duse a Gabriele D’Annunzio: "Eccoti l’anima mia"

Eleonora Duse (1858-1924) incontra per la prima volta Gabriele D'Annunzio (Scrittore, poeta, drammaturgo, militare, politico, giornalista, 1863-1938) nel 1882, a Roma: quest'ultimo è un giovane affascinante, venuto da poco dagli Abruzzi, ma già potendo vantare la pubblicazione di tre sue opere.

Compare davanti alla Duse e le propone, tout court, di andare a letto con lui.

Eleonora lo congeda con sdegno, ma forse anche con un segreto compiacimento (in quel giorno lo descrive: Già famoso e molto attraente, con i capelli biondi e qualcosa di ardente nella sua persona).

Vittorio Matteo Corcos | Portrait of actress Eleonora Duse | Christie's

Camille Claudel (1864-1943)

Camille Claudel was a French sculptor and graphic artist.

In 1882 the sculptor Auguste Rodin agreed to supervise a small group of young women students, one of whom was the seventeen-year-old Camille Claudel.

Auguste and Camille fell in love almost at first sight.

Nydia Lozano, 1947 | Ladies with flowers

Nydia Lozano felt from a very young age, to her town of Alginet, the inclination to capture on paper her impressions of the countryside and the towns of Valencia.

His church towers and family faces interested Jose Espert, the first person to tell him what painting was and probably the only one who could talk to him about painters like Sargent in the early sixties.

He saw that Nydia’s path was already drawn and helped her follow him.

Anna Boch | Post-impressionist painter

Anna Boch participated in the Neo-Impressionist movement.

Her early works used a Pointillist technique, but she is best known for her Impressionist style which she adopted for most of her career.

A pupil of Isidore Verheyden, she was influenced by Théo van Rysselberghe whom she met in the artistic group, Les XX.

Anna-Rosalie Boch (1848-1936), known as Anna, was a Belgian painter, art collector, and the only female member of the artistic group, Les XX.

Igor Kozlovsky and Marina Sharapova

Igor Kozlovsky /b. 1956, Slobodskoi, Kirov Region, Russia.

Marina Sharapova /b. 1960, Leningrad, Sankt-Petersburg, Russia.

Igor and Marina are husband and wife artistic team, working together on the same canvas. Artists, designers, interior architects.

Working as a husband-and-wife team, the Russian-born duo Igor Kozlovsky and Marina Sharapova collaborate on each painting.

Elena Barenbaum (Eve Farb)

Illustrator Eve Farb / Ева Фарб - real name Elena Barenbaum / Елена Баренбаум, works both as an illustrator and as a psychologist.

She has a passion for design and Russian fairy tales, and has illustrated multiple books published in Russia, where she is from and lives with her husband and her cat.

Mary Sauer, 1986 | Figurative painter

Painter Mary Sauer was born in Greenville, Kentucky. Her work has been exhibited throughout the United States including over a dozen shows in New York City alone.

Mary is a 2014 recipient of The Elizabeth Greenshields Foundation Grant for traditional figure painting and winner of the 2014 Director’s Award at the Springville Museum of Art’s annual Spring Salon.

Mary's art is influenced by nineteenth century painting including John Singer Sargent, the Pre-Raphealites, and the French Academics as well as contemporary realist academic painting and fashion photography.

Barbara Fox, 1956 | Watercolor painter

Barbara Fox has achieved a tremendous following on both the national and international level as a watercolor painter with a vivid and unique style.

Her paintings have been featured in solo and group exhibitions in museums and galleries throughout the United States, including the Phillips Museum of Art in Lancaster, Pennsylvania; the Millicent Rogers Museum in Taos, Mexico; the Salmagundi Club New York City; The Neville Museum in Green Bay Wisconsin; and the Pittsburgh Center for the Arts.

Christine Ellger, 1948

Christine Ellger is an accomplished artist whose work spans across various art styles.

With her intricate attention to detail and vibrant color combinations, Christine has gained recognition for her unique approach to art.

According to Ellger, her passion for photography started 11 years ago as a hobby, and now has become a way of life.

Having started with digital photography she successfully mastered all steps of processing the image.

Anne Bachelier, 1949 | Surrealist /Visionary painter

French painter and illustrator Anne Bachelier, was born in Louvigne du Desert, France.

Metamorphosis, transition, and evolution provide the common threads of the art of Anne Bachelier.

The artist captivates her audience with compelling, highly imaginative images that are distinct, unique, inventive and immediately recognizable.

Karen Tarlton, 1965 | Palette-knife painter

American painter Karen Tarlton is an artist from Manhattan Beach, California who have painted whimsical animals and figures, textural florals and scenes from California and around the world for nearly twenty years.

Karen Tarlton is specializing in abstract and impressionistic palette-knife paintings, including landscapes and portraits.

Karen’s oil paintings express her appreciation of nature with a simple intimacy that conveys a quiet emotion and a gentle strength.

L'amore ai tempi della Belle Èpoque | Sibilla Aleramo e Lina Poletti

Sibilla Aleramo, pseudonimo di Marta Felicina Faccio detta "Rina" (1876-1960), è stata una scrittrice, poetessa e giornalista Italiana.

È ricordata per il suo romanzo autobiografico "Una donna" (1901-1904) in cui dipinse la condizione femminile in Italia a cavallo fra il XIX ed il XX secolo.

Si tratta infatti di uno dei primi libri femministi apparsi in Italia.

Tamara de Lempicka | Les jeunes filles, 1930