Mariangela Gualtieri, 1951 | Bello mondo

In quest’ora della sera

da questo punto del mondo

Ringraziare desidero il divino

labirinto delle cause e degli effetti

per la diversità delle creature

che compongono questo universo singolare

Michelangelo Merisi da Caravaggio | The Lute Player, 1597

Mariangela Gualtieri, 1951 | Beautiful World

At this time of the evening

from this point of the world

I want to give thanks to the divine

labyrinth of causes and effects

for the diversity of creatures that make up this singular universe

thank I wish

Pietro Magni | La leggitrice / The reading girl, 1864 (detail) | GAM - Galleria d'Arte Moderna, Milano

Sibilla Aleramo | Son tanto brava / I'm so good..

Sibilla Aleramo (born Marta Felicina Faccio; 14 August 1876 - 13 January 1960) was an Italian feminist writer and poet known for her autobiographical depictions of life as a woman in late 19th century Italy.

I am so good all day long.

I understand, I accept, I do not weep.

I almost learn to be proud as if I were a man.

But, at the first quiver of violet in the sky

all daytime strength vanishes.

Man Ray | A l'heure de l'observatoire, les Amoureux, 1970

Janice Darr Cua | Ladies and horses

Whether exercising her powers to capture the spirit of Arabians, the romance of the Renaissance, classic sensuality of femininity, or the universal bond between mother and child, Janice Darr Cua delivers striking depth and passion.

Paintings that radiate a glow that mesmerizes the viewer, a comforting warmth which evokes the passion within all.

Her work can be seen in select galleries around the world, with over thirty sell-out shows abroad as well as dozens of American exhibitions.

Cua is a sure stock, an intelligent investment as her popularity, technique, and price point increases in favor.

Frida Kahlo to Diego Rivera | My night / La mia notte, 1939

Lettera di Frida Kahlo Diego Rivera,
Città del Messico, 12 settembre 1939
Mai spedita!

La mia notte mi strema.

Sa bene che mi manchi e tutta la sua oscurità non basta a nascondere quest’evidenza che brilla come una lama nel buio, la mia notte vorrebbe avere ali per volare fino a te, avvolgerti nel sonno e ricondurti a me.

Nel sonno mi sentiresti vicina e senza risvegliarti le tue braccia mi stringerebbero.

La mia notte non porta consiglio.

La mia notte pensa a te, come un sogno a occhi aperti.

La mia notte si intristisce e si perde.

Skagen painters | Art History and Sitemap

The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century.

Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists - though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school.

They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris.

Peder Severin Krøyer | Summer Evening at Skagen Beach - The Artist and his Wife, 1899 | Hirschsprung Collection

Marlène Dietrich and Édith Piaf

"My Friend Édith Piaf" by Marlène Dietrich

From the autobiographical book Marlène D., 1984

"In my eyes, she really was the sparrow, the little bird whose name she bore.

But she was also Jezebel, whose unquenchable thirst for love must have been due to a feeling of imperfection, her 'ugliness', as she put it -- her delicate, scrawny body, which she sent forth into battle like Circe, the Sirens and Lorelei, the temptress who with her incomparable vitality promised all the pleasures of the world".

Marlene Dietrich ed Édith Piaf, 1952

Olga Dugina, 1964 | 1001 Nights

Sheherazade, the king's beautiful wife, is due to be executed at dawn - unless she can convince the king to change his mind.

That night she tells him a wonderful story which, as dawn comes, she leaves unfinished.

"Will you let me live to finish the tale?" she asks.

"Of course", replies the king, "I must know what happens next".

Christmas with Jenny Nyström

Jenny Eugenia Nyström (1854-1946) was a painter and illustrator mainly known as the creator of the Swedish image of the jultomte on Christmas cards and magazine covers, thus linking the Swedish version of Santa Claus to the gnomes and tomtar of Scandinavian folklore.

Her father was a school teacher and piano teacher, and also the cantor of the Kalmar Castle Church.

When Jenny Nyström was eight years old, the family moved to Gothenburg, where her father had found a better paying teaching job.

Sarah Jarrett | Pop Surrealism painter

Sarah Jarrett is a collage artist and illustrator based in Norfolk, UK.

She is fascinated and inspired by the human relationship with nature and the natural world.

She loves plants, flowers, and color.

Jarrett's ladies are frequently surrounded by flowers, birds and branches, which gives them a lovely surrealistic impression.

Lisi Martin, 1944 | It's Christmas Time

Spanish illustrator Lisi Martin was born in Barcelona, Catalonia.

She is the younger of 2 children, having an older brother.

She was a quiet child and claims to have started drawing at the age of 4 as a way to express her imagination.

There was no realization in her early years that she had any specific or unusual talent, but she had a clear love for art and continued to pursue it throughout her childhood.

Zinaida Serebriakova's 140th Birthday

Russian-born French painter Zinaida Yevgenyevna Serebriakova / Зинаи́да Евге́ньевна Серебряко́ва (1884-1967), born on this day in 1884, 140 years ago, was the First Famous Female Russian Artist.

Zinaida Serebriakova left an indelible mark on her nation’s culture through masterful paintings of the contemporary life and landscapes of her Russian homeland.

Serebriakova was born on an estate in the Kursk Province of Russia (present-day Ukraine) into a lineage full of respected artists.

Ethel Léontine Gabain (1883-1950)

Ethel Léontine Gabain, later Ethel Copley, was a French-Scottish artist.

Gabain was a renowned painter and lithographer and among the founding members of the Senefelder Club.

While she was known for her oil portraits of actresses, Gabain was one of the few artists of her time able to live on the sale of her lithographs.

She also did etchings, dry-points, as well as some posters.

Anaïs Nin: "L'amore non muore mai di morte naturale"..

L'amore non muore mai di morte naturale.

Muore perché noi non sappiamo come rifornire la sua sorgente.

Muore di cecità e di errori e tradimenti.

Muore di malattia e di ferite,

muore di stanchezza, per logorio o per opacità.

Vladimir Kush

Maria Martinetti | Orientalist painter

Maria Martinetti (1864-1921) was an Italian painter. She was a student of Gustavo Simoni.

She lived and exhibited in Italy and France.

In 1890 she moved to the United States.

She is known for her genre paintings.

10 Masterpieces of the Musée d’Orsay

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

This painting is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Though some of his friends appear in the picture, Renoir's main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre.

The study of the moving crowd, bathed in natural and artificial light, is handled using vibrant, brightly coloured brushstrokes.

The somewhat blurred impression of the scene prompted negative reactions from contemporary critics.

This portrayal of popular Parisian life, with its innovative style and imposing format, a sign of Renoir's artistic ambition, is one of the masterpieces of early Impressionism. | © Musée d'Orsay, Paris

Pierre-Auguste Renoir (French, 1841-1919) | Bal du moulin de la Galette, 1876 | Musée d'Orsay, Paris

5 Masterpieces at the Uffizi Gallery

The Uffizi Gallery entirely occupies the first and second floors of the large building constructed between 1560-1580 and designed by Giorgio Vasari.

It is famous worldwide for its outstanding collections of ancient sculptures and paintings (from the Middle Ages to the Modern period).

The collections of paintings from the 14th-century and Renaissance period include some absolute masterpieces: Giotto, Simone Martini, Piero della Francesca, Beato Angelico, Filippo Lippi, Botticelli, Mantegna, Correggio, Leonardo, Raffaello, Michelangelo and Caravaggio, in addition to many precious works by European painters (mainly German, Dutch and Flemish).

Moreover, the Gallery boasts an invaluable collection of ancient statues and busts from the Medici family, which adorns the corridors and consists of ancient Roman copies of lost Greek sculptures.

Johan Zoffany (1733-1810) | Tribuna of the Uffizi, 1772-1777 | Royal Collection (UK)

Juliette Wytsman | Impressionist painter

Juliette Wytsman (1866-1925) was a Belgian impressionist painter.

She was married to painter Rodolphe Wytsman.

Her paintings are in the collections of several museums in Belgium.

Wytsman was born as Juliette Trullemans on 14 July 1866 in Brussels, in Belgium.

She first studied under Henri Hendrickx at the Bischoffsheim Institute in Brussels.

8 Notable artworks at the Cleveland Museum of Art

The Cleveland Museum of Art is renowned for the quality and breadth of its collection, which includes more than 63,000 artworks and spans 6,000 years of achievement in the arts.

The museum is a significant international forum for exhibitions, scholarship, and performing arts and is a leader in digital innovations.

One of the top comprehensive art museums in the nation, recognized for its award-winning Open Access program and free of charge to all, the Cleveland Museum of Art is located in the University Circle neighborhood.

John French Sloan | A woman's work, 1912 | Cleveland Museum of Art

Trained as a journalist, the young John French Sloan (1871-1951) explored social issues more vigorously than most of the painters of his time, portraying working-class urbanites engaged in ordinary activities.

He observed this particular scene through a rear window of his Manhattan apartment.

Perched on a narrow fire escape, a woman hangs fresh laundry to dry on clotheslines strung between tenements.

As evidenced by the painting, the labors of American women at the turn of the 1900s were most often confined to the domestic realm. | Source: © Cleveland Museum of Art

John French Sloan (American, 1871-1951) | A woman's work, 1912 | Cleveland Museum of Art

Margaret Mead | Remember me / Ricordati di me

Years ago, American cultural anthropologist, author and speaker Margaret Mead (1901-1978) was asked by a student what she considered to be the first sign of civilization in a culture.

The student expected Mead to talk about fishhooks or clay pots or grinding stones.

But no. Mead said that the "first sign of civilization in an ancient culture was a femur (thighbone) that had been broken and then healed".

Mead explained that in the animal kingdom, if you break your leg, you die.

"You cannot run from danger, get to the river for a drink or hunt for food.

You are meat for prowling beasts.

No animal survives a broken leg long enough for the bone to heal.

A broken femur that has healed is evidence that someone has taken time to stay with the one who fell, has bound up the wound, has carried the person to safety and has tended the person through recovery.

Helping someone else through difficulty is where civilization starts", Mead said.

Margaret Mead | Remember me

To the living, I am gone,

To the sorrowful, I will never return,

To the angry, I was cheated,

But to the happy, I am at peace,

And to the faithful, I have never left.

Dame Laura Knight | The Dark Pool, 1908-1918