Hortense Haudebourt-Lescot | Genre painter

Hortense Haudebourt-Lescot, born Antoinette Cécile Hortense Viel (1784-1845), was a French painter, mainly of genre and historical scenes.

She was born in Paris to Jean-Baptiste Viel, a perfumer, and his wife Cécile, née Lejeune.

Her mother became a widow two years later and remarried; to Jean-Louis Lescot, a pharmacist.

Anna Klumpke | Catinou knitting, 1887

Encouraged by an independent, educationally oriented mother, Anna Elizabeth Klumpke (1856-1942) was a copyist in the Luxembourg Museum and studied at the Académie Julien in Paris.

She enjoyed an education guided by the concept that women artists could compete with their male counterparts.

In her memoirs of 1940, Klumpke cites a most influential moment in her childhood: receiving the gift of a Rosa Bonheur doll.

Her admiration of Bonheur, the French painter of animals, led her to paint the aging woman’s portrait - which is considered a companion piece to her portrait of leading suffragist Elizabeth Cady Stanton.

Meadow Gist, 1975 | Impressionist painter

Meadow Gist chooses the subject matter she paints to express a love and respect of a simpler life, when you grew your own food and more things were crafted by hand.

This is what attracted her to being an artist in the first place, "crafting a unique item that has a piece of me in it, and I can say "I made that".

She enjoys presenting a romantic view of bygone days, and sharing a little of this optimism with all who view her paintings.

Her inspiration comes from the painting of the Russian Impressionists and the way they paint daily life, as well as the Orientalists and the pride they bring to the simple man.

Coco Chanel: "Fashion changes, but style endures"!

Coco Chanel and Romy Schneider

• "Where should one use perfume? A young woman asked. Wherever one wants to be kissed".

• "It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong".

And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person".

I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love".

The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness".

Nancy Boren, 1955 | Impressionist painter

Nancy Boren’s first painting, a watercolor, was done at age 12 while sitting next to her artist father, James Boren, as he painted at the Grand Canyon.

Since then she has branched out to original print making and oil painting, depicting a variety of landscape and marine subjects, and is often captivated by scenes in which the figure fills the canvas.

She received a Bachelor of Fine Arts from Abilene Christian University and cites the influence of notable traditional painters such as Sargent, Sorolla and Fechin.

Rosmery Mamani Ventura, 1985 | Pastel painter

Rosmery Mamani Ventura is an award winning hyperrealistic pastel artists from Bolivia.

She was born in Omasuyos, near Lake Titicaca where she lived until 1998.

At 14 she migrated from her rural Aymara indigenous community to the city of El Alto to work as a maid, a move that brought excitement, but also struggle.

Despite the hardships, that move was also the first step toward discovering her talent as an artist.

Wisława Szymborska | Ritratto di Donna / Portrait of a Woman

Deve essere a scelta.

Cambiare, purché niente cambi.

È facile, impossibile, difficile, ne vale la pena.

Ha gli occhi, se occorre, ora azzurri, ora grigi,

neri, allegri, senza motivo pieni di lacrime.

Egon Schiele | Seated Woman with Bent Knees, 1917 | National Gallery of Prague

Women Artists | Sitemap

"Someone, I say, will remember us in the future".

"Qualcuno, dico, si ricorderà di noi in futuro".

Saffo

The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s.

Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement.

Camille Claudel | L'âge mûr /L'Età matura, 1902

Emily Dickinson | Marzo: Mese di attesa / March: Month of expectation, 1877

Marzo: mese di attesa.

Le cose che ignoriamo -

E le persone del nostro presagio

Sono in cammino -

Ci sforziamo di fingere fermezza -

Come si deve, ma la gioia solenne

Claude Monet | Strada Romana at Bordighera | Museum Barberini

Grazia Deledda (Nobel Prize) | While the east wind blows, 1905

Grazia Maria Cosima Damiana Deledda (1871-1936) was an Italian writer who received the Nobel Prize for Literature in 1926 "For her idealistically inspired writings which with plastic clarity picture the life on her native island [i.e. Sardinia] and with depth and sympathy deal with human problems in general".

She was the first Italian woman to receive the prize, and only the second woman in general after Selma Lagerlöf was awarded hers in 1909.

While the East Wind Blows

A short story by Grazia Deledda published on the official website of the Nobel Prize

From the collection I giuochi della vita, 1905

Translated by Anders Hallengren

Mentre soffia il levante (Original text)

Karl Raupp | Crossing Lake Chiemsee in a storm under the aegis of a guardian angel

Mariangela Gualtieri | Amore mio / My love

Amore mio,

è difficile da questo fondo, da questo finale, dire come mi manchi,

come immenso tu sei nel mancare, adesso che mi sono persa

fra masse dure, fra cinghie di buio pesto, senza divinità,

senza la tua mano che tutto sorregge.

Marc Chagall | The Lovers, 1929

Tamara de Lempicka | Russian Dancer, 1924

Russian Dancer was created in 1924 by Tamara de Lempicka (Polish Art Déco painter, 1894-1980).

The painting is part of the Collection of Polish businessman and art collector Marek Roefler/ Villa la Fleur, Konstancin-Jeziorna, Poland.

Russian Dancer, posthumously titled in reference to the Ballets Russes - the troupe founded by Serge Diaghilev, which took Paris by storm in the 1910s and 1920s with its innovative choreography and gleaming costumes and sets designed by Russian artists-portrays a woman dressed in folk attire from southern Russia.

Tamara de Lempicka | Russian Dancer, 1924

Mariangela Gualtieri | Sii dolce con me

Sii dolce con me. Sii gentile.

È breve il tempo che resta. Poi

saremo scie luminosissime.

E quanta nostalgia avremo

dell’umano. Come ora ne

abbiamo dell’intimità.

Angeles Anglada

Erzsébet Furmen | Pebble Artist

The Hungarian artist Erzsébet Furmen (Erzsébet Szilajka) brings stones to life in her charming Pebble Art.

She has loved stones since her childhood. She enthusiastically collected pebbles and made of them pieces of her life out like a mosaic.

Just as in her childhood, today Erzsébet can also spend a few hours on a gravel road or on a beach, choosing the most interesting, textured and ribbed stones for her work.

Now the artist tells stories about couples, family and love for animals.

Grazia Deledda (Premio Nobel) | Mentre soffia il levante, 1905

Grazia Maria Cosima Damiana Deledda (1871-1936) è stata una scrittrice Italiana, rappresentante della scuola verista, originaria della Sardegna.

Nel 1926 le venne conferito il Premio Nobel per la Letteratura "per la sua potenza di scrittrice, sostenuta da un alto ideale, che ritrae in forme plastiche la vita quale è nella sua appartata isola natale (la Sardegna) e che con profondità e con calore tratta problemi di generale interesse umano".

Grazia Deledda è l'unica donna Italiana a ricevere il Nobel per la Letteratura e la seconda al mondo, dopo la scrittrice Svedese Selma Lagerlöf che lo ricevette nel 1909.

La Deledda è stata la prima donna Italiana a vincere il Nobel, e dopo di lei, la Rita Levi-Montalcini vinse nel 1986, il Nobel per la Medicina.

Grazia Deledda è stata un’autrice molto prolifica: ha scritto 350 racconti, 35 romanzi e molte poesie.

Mentre soffia il levante

Un racconto di Grazia Deledda, pubblicato dal sito del Premio Nobel

Dalla raccolta "I giuochi della vita", 1905

While the east wind blows (English version)

Un'antica leggenda sarda afferma che il corpo degli uomini nati nella vigilia di Natale non si dissolverà mai fino alla fine dei secoli.

Si parlava appunto di ciò in casa di zio Diddinu Frau, ricco contadino, e Predu Tasca, il fidanzato della figliuola di zio Diddinu, domandava:

- Ed a che serve ciò? Che possiamo farcene del corpo, dopo che siamo morti?

Désiré Thomassin | Shepherd Returning Home, 1933

Out of Africa / La mia Africa: "Io conosco il canto dell'Africa..", 1985

"Io conosco il canto dell'Africa,

della giraffa e della luna nuova africana distesa sul suo dorso,

degli aratri sui campi e delle facce sudate delle raccoglitrici di caffè,

ma l'Africa conosce il mio canto?

L'aria sulla pianura fremerà un colore che ho avuto su di me?

E i bambini inventeranno un gioco nel quale ci sia il mio nome?

O la luna piena far un'ombra sulla ghiaia del viale che mi assomigli?

E le aquile sulle colline Ngong guarderanno se ci sono?"

Meryl Streep in "La mia Africa" / "Out of Africa"

155 anni dalla nascita di Ada Negri | I Sacrifici

Ricorre quest'oggi il 155esimo anniversario della nascita della poetessa e scrittrice ed insegnante Italiana Ada Negri (Lodi, 3 febbraio 1870 - Milano, 11 gennaio 1945).

Era il 3 febbraio del 1870, infatti, quando a Lodi, nacque Ada Negri, la prima ed unica donna ad essere ammessa all'Accademia d'Italia.

L'arte poetica della Negri, oltre ad essere apprezzata, le valse molti riconoscimenti a partire dal premio letterario "Giannina Milli" del 1894, alla candidatura al Nobel per la Letteratura del 1926 che però andò a Grazia Deledda, ai riconoscimenti: il Premio Mussolini ricevuto in Campidoglio nel 1931 ed il titolo di Accademica d'Italia nel 1940, primo caso di donna ammessa come membro di tale istituzione.

I - La Maestra

È una maestra. - Ha ne lo sguardo buono

La rassegnata calma pazïente

Di chi sa il vuoto, il pianto ed il perdono.

Henri-Jules-Jean Geoffroy | The teacher's touch

Trish Biddle | Art Déco painter

American artist Trish Biddle studied at the Dallas Institute of Art, before beginning her career as an illustrator and textile designer.

Trish Biddle is published internationally, and is collected around the world.

Her process of drawing, painting and designing eventually melded onto canvases, creating romantic images and her unmistakable Art Déco figurative paintings.

Wisława Szymborska | Life While-You-Wait / Una vita all'istante, 1996

Life While-You-Wait

Performance without rehearsal.

Body without alterations.

Head without premeditation.

I know nothing of the role I play.

I only know it’s mine. I can’t exchange it.

Herman Jean Joseph Richir

Cecilia Beaux | Sita and Sarita, 1894

This portrait by Cecilia Beaux (American Impressionist painter and portraitist, 1855-1942) portrays the artist's cousin, Sarah Allibone Leavitt, dressed in white with her black cat on her shoulder.

Beaux was recognized not only for her bold painting technique, but also for her ability to imbue her female subjects with wit and intelligence, rendering them more than just mere objects of beauty.

A student in Paris in the late 1880s, the artist was influenced by her firsthand exposure to French impressionism.

Her light-filled palette and gestural style invite comparisons with many of her contemporaries, including William Merritt Chase, James McNeill Whistler, John Singer Sargent and Mary Cassatt.

Cecilia Beaux | Sita and Sarita, 1894 | Musée d'Orsay, Paris