Odilon Redon | Portrait of Marie Botkine, 1900

Odilon Redon | Portrait of the ceramist Marie Botkin, pastel | Musée d'Orsay, Paris, France

Portrait of Marie Botkine

Autor: Odilon Redon (1840-1916)

Date: 1900

Style: Symbolism

Genre: Portrait

Media: Pastel, paper

Dimensions: 48 x 64 cm

Location: Musée d'Orsay, Paris, France

Claude Monet | Le Déjeuner sur l'herbe, 1865-1866

From: Musée d’Orsay, Paris

This fragment, there is a second also in the Musée d'Orsay, is one of the remaining parts of the monumental Luncheon on the Grass by Monet.

The work was started in the spring of 1865 and measured over four metres by six.

It was intended to be both a tribute and a challenge to Manet whose painting of the same title had been the subject of much sarcasm from the public as well as the critics when it was exhibited in the Salon des Refusés in 1863.

But the project was abandoned in 1866, just before the Salon where Monet intended to show it, opened.

Edgar Degas | Repasseuses / Le Stiratrici, 1884-1886

Degas often made portraits of his family and friends but he was also an attentive observer of the working world in millinery workshops or laundries.

Only Daumier before him had taken an interest in washerwoman, who became one of Degas's favorite subjects between 1869-1895.

At first he painted single figures seen against the light, picked out sharply against the white linen.

Then, about 1884-1886, he dwelled more heavily on the subject, this time depicting two women in a laundry.

Claude Monet at the Musée d'Orsay, Paris

The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine.

It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898-1900.

The museum holds mainly French art dating from 1848-1914, including paintings, sculptures, furniture and photography.

It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet - 86 paintings (another main collection of his paintings is in the Musée Marmottan Monet) including The Saint-Lazare Station, The Rue Montorgueil in Paris. Celebration of 30 June 1878, Wind Effect, Series of The Poplars, Rouen Cathedral. Harmony in Blue, Blue Water Lilies, Le Déjeuner sur l'herbe, Haystacks, The Magpie, Women in the Garden - Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh.

Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.

Henri Fantin-Latour | Fleurs et fruits, 1865

Henri Fantin-Latour | Fleurs et fruits, 1865 | Musée d’Orsay

Contemporaneamente alla sua attività di ritrattista, Fantin-Latour (1836-1904) realizza un numero cospicuo di nature morte.

Negli anni sessanta del XIX secolo, quest'ultime esercitano un ruolo fondamentale nella carriera dell'artista.

È proprio in Inghilterra, paese dove Fantin-Latour abitualmente risiede, che questi trova un numero considerevole di estimatori delle sue composizioni raffiguranti fiori e frutta, il che comporta un susseguirsi di acquisti e commesse in grado di assicurare al pittore un successo commerciale che, fino a quel momento, il suo lavoro non gli ha permesso di raggiungere.

Édouard Sain | Excavations at Pompeii, 1865

Édouard Alexandre Sain (13 May 1830 - 26 June 1910) was a French painter whose works included historical and genre subjects as well as portraits.

Sain was strongly interested in antiquity.

He first settled at Écouen, where he painted various rustic scenes in the plein air style, but experimented with other styles.

His paintings from this period include Vénus et l'Amour, a group of chimney sweeps and a historical painting of the period of Louis XV.

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

Author: Auguste Renoir (1841-1919)
Title: Dance at Le Moulin de la Galette
Date: 1876
Medium: Oil on canvas
Dimensions: H. 131; W. 175 cm
Current location: © RMN-Grand Palais (Musée d'Orsay) / Jean-Gilles Berizzi

Bal du moulin de la Galette [Dance at Le Moulin de la Galette] is doubtless Renoir's* most important work of the mid 1870's and was shown at the Impressionist* exhibition in 1877.

Pierre-Auguste Renoir | La Balançoire / L'altalena, 1876

Renoir gives us the impression of surprising a conversation - as if in a snapshot, he catches the glances turned towards the man seen from the back. The young woman is looking away as if she were embarrassed. The foursome in the foreground is balanced by the group of five figures sketchily brushed in the background.

The Swing has many points in common with The Ball at the Moulin de la Galette. The two pictures were painted in parallel in the summer of 1876.

The models in The Swing, Edmond, Auguste Renoir's brother, the painter Norbert Goeneutte and Jeanne, a young woman from Montmartre, figure among the dancers in The Ball. The same carefree atmosphere infuses both pictures. As in The Ball, Renoir is particularly trying to catch the effects of sunlight dappled by the foliage.

Author: Pierre-Auguste Renoir (1841-1919)*
Title: La balançoire [The Swing]
Date: 1876
Medium: Oil on canvas
Dimensions: H. 92; W. 73 cm
Current location: © Musée d'Orsay, dist. RMN-Grand Palais / Patrice Schmidt

A young man seen from the back is talking to a young woman standing on a swing, watched by a little girl and another man, leaning against the trunk of a tree.