Visualizzazione post con etichetta Austrian Art. Mostra tutti i post
Visualizzazione post con etichetta Austrian Art. Mostra tutti i post
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Anton Romako | Genre painter

Anton Romako was an Austrian painter.
Romako painted a large number of landscape scenes (for example from the Bad Gastein), influenced by the Barbizon school, but is known mostly for his portraits and historical scenes.
His early works display the influence of Biedermeier realism, while the late works are painted in a nervous expressionist style which disturbed his contemporaries.


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Il Valzer | La danza proibita

Avvicinati al tuo partner, conta "Uno, due, tre, Uno, due, tre" nella tua testa e vai!

Anche se nel XVII e XVIII secolo, il valzer era considerato la radice di tutti i mali, si è fatto strada tra le élite ed è oggi il più popolare di tutti i balli da sala.
A causa della sua presa ravvicinata e delle rotazioni veloci, un tempo il valzer veniva chiamato la "danza proibita".

Camille Claudel | La Valse, 1891

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Emanuel Baschny (Austrian, 1876-1932)

Emanuel Baschny was an Austrian painter, draftsman, graphic artist, etcher.
Born: Sternberg - Czech Republic, Europe in October 3, 1876.
Death: Vienna, Vienna, Austria, Europe in November 1, 1932.

From 1893 studied at the Vienna Academy of Fine Arts under Franz Rumpler and William Unger.


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Mozart: "The music is not in the notes, but in the silence between"

"A man of ordinary talent will always be ordinary, whether he travels or not; but a man of superior talent will go to pieces if he remains forever in the same place".
"Un uomo di talento ordinario sarà sempre ordinario, che viaggi o no; ma un uomo di talento superiore andrà in pezzi se rimane per sempre nello stesso posto".

"Melody is the essence of music".
"La melodia è l'essenza della musica".

Barbara Krafft | Portrait of Wolfgang Amadeus Mozart, 1819 (detail)

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Carl Schweninger | Genre painter

Carl Schweninger the Younger (1854-1912) was an Austrian painter.
Carl Schweninger was born in Vienna, Austria and came from a Viennese artist family.
He was the son of the painter Carl Schweninger the Elder (1818-1887) and brother of the painter Rosa Schweninger (1818-1918).


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Angelica Kauffmann | Neoclassical painter

Angelica Kauffmann (1741-1807) was a painter in the early Neoclassical style who is best known for her decorative wall paintings for residences designed by Robert Adam.
The daughter of Johann Joseph Kauffmann, a painter, Angelica was a precocious child and a talented musician and painter by her 12th year.
Her early paintings were influenced by the French Rococo works of Henri Gravelot and François Boucher.


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Désiré Thomassin | Naturalist painter

Désiré Thomassin was an Austrian painter and composer.
His father was the charge d’affaires of the Duchy of Parma in Vienna, his mother was from Regensburg.
After the death of the father in 1867 the remaining family moved to Regensburg.
There he finished his school and attended the local lyzeum for two terms till 1878.
Then he studied music in Munich under Josef Rheinberger (composition) and Max Hieber (violin).


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Eduard Veith | Symbolist painter

Eduard Veith (1858-1925) was an Austrian portrait painter and stage designer.
Many of his works were influenced by Symbolism.
He was born to the decorative painter, Julius Veith (1820-1887), and his wife Susanna, née Schleif (1827-1883).
At first, he received training to follow in his father's profession.


Later, he went to Vienna, where he took classes at the Museum of Applied Arts from Professor Ferdinand Laufberger.
He capped off his studies by creating sgraffito for exhibition buildings at the Exposition Universelle in Paris.
He then returned home, where he assisted his father with painting churches, synagogues and other ceremonial buildings.
This was followed by several study trips; to Italy, Belgium and Tunisia.


He finally settled in Vienna; becoming a free-lance artist and working mostly by commission.
From 1890, he was a member of the Vienna Künstlerhaus.
In 1896, he received a gold medal at the Große Berliner Kunstausstellung.
In 1905, he was appointed a Professor at the University of Technology.

In 1911, he married Bertha Griesbeck (1872-1952), from Augsburg.
He later taught at the University of Applied Arts Museum of Applied Arts, and became a Professor there in 1920.
During his years in Vienna, he maintained contact with his home town, and held exhibitions there.
In addition to his paintings, he did interior decorations for a number of the buildings on the Ringstraße, and trompe l'oeil stage sets.


He often collaborated with the architects, Fellner and Helmer, who built dozens of theatres and opera houses throughout the Austro-Hungarian Empire.
He died shortly before his sixty-seventh birthday, and was interred at Döbling Cemetery.
His grave is adorned with a sculpture by Georg Leisek. | Source: © Wikipedia













Eduard Veith (1858-1925) è stato un pittore di genere, ritrattista, scenografo e professore universitario Austriaco.
Molte delle sue opere furono influenzate dal Simbolismo.
Nacque dal pittore decorativo Julius Veith (1820-1887) e da sua moglie Susanna, nata Schleif (1827-1883).


Inizialmente ha ricevuto una formazione per seguire la professione di suo padre.
Successivamente si recò a Vienna, dove prese lezioni al Museo delle Arti Applicate dal professor Ferdinand Laufberger.
Ha coronato i suoi studi creando graffiti per gli edifici espositivi dell'Exposition Universelle di Parigi.
Tornò poi a casa, dove aiutò il padre a dipingere chiese, sinagoghe ed altri edifici cerimoniali.


Seguirono numerosi viaggi di studio; verso Italia, Belgio e Tunisia.
Alla fine si stabilì a Vienna; diventando un artista freelance e lavorando principalmente su commissione.
Dal 1890 fu membro del Künstlerhaus di Vienna.
Nel 1896 ricevette una medaglia d'oro alla Große Berliner Kunstausstellung.


Nel 1905 fu nominato professore presso l'Università della Tecnologia.
Nel 1911 sposò Bertha Griesbeck (1872-1952), di Augusta.
Successivamente insegnò al Museo di Arti Applicate dell'Università di Arti Applicate e lì divenne professore nel 1920.
Durante i suoi anni a Vienna mantenne i contatti con la sua città natale e vi tenne mostre.


Oltre ai suoi dipinti, realizzò decorazioni interne per numerosi edifici sulla Ringstraße e scenografie trompe l'oeil.
Collaborò spesso con gli architetti Fellner and Helmer, che costruirono decine di teatri e teatri d'opera in tutto l'impero austro-ungarico.
Morì poco prima del suo sessantasettesimo compleanno e fu sepolto nel cimitero di Döbling.
La sua tomba è ornata da una scultura di Georg Leisek. | Fonte: © British Wikipedia


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Gustav Igler | Genre painter

Gustav Igler (1842-1938) was an Austrian genre painter.
Gustav Igler was born in Austro-Hungarian Odenburg and from 1858 he was a pupil of the famous portraitist Ferdinand Georg Waldmüller in Vienna.
He then studied with Arthur von Ramberg until 1871 at the Royal Academy in Munich.


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Johann Hamza | Genre painter

The Austrian painter Johann Hamza (1850-1927) is amongst the most gifted 19th Century genre artists, who showed a profound fascination with pictures set in the later eighteenth century.
As M. Poltimore and P. Hook commented, 'The eighteenth century assumed an almost mythic significance for bourgeois Europe of a hundred years later.
The Goncourt rediscovered it and elevated it into an Arcadia on a par with antiquity.


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Adolf Reich | Genre painter

Adolf Reich (1887-1963) was born in Salzburg, Austria.
He was a genre painter, who travelled throughout Europe, exhibiting in numerous places, including Vienna and Munich.
During the First World War he worked as a scenery painter at the Volkstheater in Vienna.


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Marie Wunsch | Genre painter

Marie (Mizzi) Wunsch (1862-1898) was an Austrian artist.
As a little girl, she took part in drawing classes where her keen sense of observation was already evident.
However, her talent was not encouraged until 1880 when she was admitted to the Austrian Museum's preparatory school to study.
She kept drawing and painting and eventually moved to Venice where she received further instructions from Eugen v. Blaas.


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Georg Janny (1864-1935)

Georg Janny was an Austrian landscape painter and set designer.
He worked as a scene painter in the studios of Carlo Brioschi and Johann Kautsky, alongside Alfons Mucha, and was a member of the Dürerbund.
In 1898, he participated in painting the "Eisernen Vorhang" (Iron Curtain) at the Vienna Volksoper for the 50th jubilee of Emperor Franz Joseph I.
In 1904, he exhibited in the Austrian Pavilion at the St.Louis World's Fair with scenes from the Imperial Royal Austrian State Railways (now at the Technisches Museum Wien).


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Johann Matthias Ranftl | Genre painter

Johann Matthias Ranftl (Vienna, 1804-1854) was a Viennese Biedermeier painter.
The artist's grandfather came to Vienna from Regensburg, where the painter Franz Anton Maulbertsch was his best man in 1766.
The parents, Johann Baptist Ranftl and Barbara Ranftl, née Kautz, ran an inn on the Favoritner Linien.
Johann Matthias Ranftl himself was born in the suburb of Wieden No. 125.


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Rosa Schweninger | Genre painter

Rosa Schweninger (1849-1918) was an Austrian painter.
She came from a Viennese artist family; she was the daughter of the painter Carl Schweninger the Elder (1818-1887) and sister of the painter Carl Schweninger the Younger (1854-1903).
After her first painting lessons with her father, she studied painting from 1869 to 1871 at the University of Applied Arts Vienna, under Friedrich Sturm (1822-1898).


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Albert Birkle | Magic realism painter

Albert Birkle (1900-1986) was a German painter and draftsman.
Albert Birkle was born in Charlottenburg, then an independent city and since 1920 part of Berlin.
His grandfather on his mother's side, Gustav Bregenzer, and his father, Carl Birkle, both were painters, originally from Swabia.
Albert Birkle was trained as a decorative painter in his father's firm.
From 1918 to 1924, he studied at the Hochschule für die bildenden Künste/College of Fine Arts, a predecessor of today's Universität der Künste Berlin.


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Barbara Krafft | Portrait painter

Maria Barbara Krafft (1764-1825) was an Austrian painter, best remembered today for her widely reproduced posthumous portrait of Wolfgang Amadeus Mozart.
She was born in Iglau (now Jihlava, in the Czech Republic) where her father, the Austrian Imperial court painter Johann Nepomuk Steiner, was working at the time.
She was taught painting by her father and accompanied him to Vienna, where she exhibited her first painting in 1786 at the Academy of Fine Arts.

Barbara Krafft | Posthumous Portrait of Wolfgang Amadeus Mozart (Salzburg, 1756 - Vienna, 1791), 1819

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Josef Büche | Portrait / Genre painter

Josef Büche (February 29, 1848 in Vienna - August 13, 1917 in Linz-Urfahr) was an Austrian portrait painter.
Born the son of a painter, Büche studied at the Academy of Fine Arts Vienna under Eduard von Engerth and Carl Wurzinger.
He received an overall study award.


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Karl Feiertag | Genre painter

Karl Holiday (1874, Vienna - 1944, Weidling) was an Austrian painter.
Karl Urlaub studied painting at the Academy of Fine Arts in Vienna with Franz Rumpler, Kasimir Pochwalski and Josef Mathias Trenkwald.
He worked in Vienna and Munich for various advertising companies and moved to Weidling with his wife.


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Leopold Müller | Orientalist painter

Leopold Carl Müller (9 December 1834 - 4 August 1892) was an Austrian genre painter noted for his Orientalist works.

Biography

Born in Dresden to Austrian parents, he was a pupil of Karl von Blaas and of Christian Ruben at the Academy in Vienna.
Obliged to support his family after his father's death, he worked eight years as an illustrator for the Vienna Figaro.