Visualizzazione post con etichetta Art Quotes - Literature. Mostra tutti i post
Visualizzazione post con etichetta Art Quotes - Literature. Mostra tutti i post
Textual description of firstImageUrl

Salvador Dali: "Give me two hours a day of activity, and I'll take the other twenty-two in dreams"!

"I believe that the moment is near when by a procedure of active paranoiac thought, it will be possible to systematize confusion and contribute to the total discrediting of the world of reality".
"If you understand a painting beforehand, you might as well not paint it".
"We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art".


Textual description of firstImageUrl

Love Letter from Balzac to Countess Ewelina Hańska

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.
I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.
I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.
As for my heart, there you will always be - very much so. I have a delicious sense of you there.
But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

Textual description of firstImageUrl

Cassie Phillips | Let them

If they want to choose something or someone over you,
Let them.
If they want to go weeks without talking to you,
Let them.
If they are okay with never seeing you,
Let them.


Textual description of firstImageUrl

Cassie Phillips | Lasciali fare | La poesia

Se vogliono scegliere qualcosa o qualcuno al posto tuo,
Lasciali fare.
Se vogliono passare settimane senza parlarti,
Lasciali fare.
Se stanno bene a non vederti mai,
Lasciali fare.
Se stanno bene a mettere sempre se stessi al primo posto,
Lasciali fare.


Textual description of firstImageUrl

Wisława Szymborska | Ruben's Women

Herculasses, a feminine fauna.
Naked as the crashing of barrels.
Cooped up atop trampled beds.
They sleep with mouths poised to crow.
Their pupils have retreated in the depths,
and penetrate to the heart of their glands,
trickling yeast into their blood.

Peter Paul Rubens | Venus in Front of the Mirror, (1614-1615) | Museo Nacional del Prado

Daughters of the Baroque. Dough bloats in a bowl,
baths are steaming, wines are blushing.
piglets of cloud are dashing across the sky,
trumpets neigh in physical alarm.

O pumpkinned, O excessive ones,
doubled by your unveiling,
trebled by your violent poses,
fat love dishes.

Peter Paul Rubens | Mars and Rhea Silvia, 1617

Their skinny sisters got up earlier,
before dawn broke within the painting,
and no one saw them walking single file
on the unpainted side of the canvas.
Exiles of style. Ribs all counted.


Birdlike feet and hands.
They try to ascend on gaunt shoulderblades.
The thirteenth century would have given them a golden backdrop.
The twentieth, a silver screen.

But the seventeenth has nothing for the flat-chested.
For even the sky curves in relief -
curvaceous angles, a curvaceous god -
a moustached Apollo astride a sweaty steed
enters the steaming bedchamber.

Wisława Szymborska (Polish poet, essayist, translato, and recipient of the 1996 Nobel Prize in Literature, 1923-2012)

Textual description of firstImageUrl

Pope Francis: "Dear Poets, help us Dream"

Below is the letter Pope Francis wrote for the book 'Verses to God: An Anthology of Religious Poetry (italian).

Dear poets,
I know that you hunger for meaning, and that is why you reflect on how faith questions life.
This "meaning" cannot be reduced to a concept. No, it is a comprehensive meaning that encompasses poetry, symbols, and feelings.
The true meaning is not found in the dictionary - that's the meaning of words, and words are merely tools to express everything within us.


Textual description of firstImageUrl

Le Quattro Stagioni | I Concerti ed i Sonetti di Antonio Vivaldi

Le Quattro Stagioni è un gruppo di quattro concerti per violino del compositore italiano Antonio Vivaldi (Compositore e violinista Barocco, 1678-1741), ognuno dei quali dà espressione musicale ad una stagione dell'anno.
Furono composti intorno al 1718-1720, quando Vivaldi era maestro di cappella alla corte di Mantova.
Furono pubblicati nel 1725 ad Amsterdam, in quella che all'epoca era la Repubblica delle Sette Province Unite, insieme ad altri otto concerti, con il titolo Il cimento dell'armonia e dell'invenzione.

Un ritratto anonimo ad olio conservato al Museo Internazionale e Biblioteca della Musica di Bologna, generalmente ritenuto di Vivaldi, 1723

Textual description of firstImageUrl

Antonio Vivaldi's "Four Seasons" | Music and Sonnets

The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi (1678-1741), each of which gives musical expression to a season of the year.
These were composed around 1718-1720, when Vivaldi was the court chapel master in Mantua.
They were published in 1725 in Amsterdam in what was at the time the Dutch Republic, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).

Orazio Gentileschi | Young Woman with a Violin (Saint Cecilia), 1612 | Detroit Institute of Arts

Textual description of firstImageUrl

Wisława Szymborska | Non ce l’ho con la primavera, 1993

Non ce l'ho con la primavera
perché è tornata.
Non la incolpo
perché adempie come ogni anno
ai suoi doveri.

Marc Chagall | Fleurs de printemps, 1930

Textual description of firstImageUrl

Platone | The Arts in education

The Republic (Greek: Πολιτεία, Politeia) is a Socratic dialogue, written by Plato around 380 BC, concerning the definition of justice (δικαιοσύνη), the order and character of the just city-state and the just man ecc..
It is Plato's best-known work, and one of the world's most influential works of philosophy and political theory, both intellectually and historically.
In the dialogue, Socrates discusses with various Athenians and foreigners the meaning of justice and whether the just man is happier than the unjust man.
He considers the natures of existing regimes and then proposes a series of hypothetical cities in comparison, culminating in Kallipolis (Καλλίπολις), a utopian city-state ruled by a class of philosopher-kings.

Raffaello | Scuola di Atene - Platone / Raphael - The School of Athens (1509-1511)

Textual description of firstImageUrl

Louis Aragon | Amor mio, non dire niente / Mon Amour ne dis rien


Amor mio non dire niente
lascia cadere queste due parole nel silenzio
Come una pietra a lungo lisciata fra i palmi delle mie mani
Una pietra veloce e pesante una pietra
Che cada nel profondo della nostra vita

Textual description of firstImageUrl

Salvador Dali: "Adoro i miei nemici quando sono intelligenti"


"Ho sfondato il muro della spudoratezza con una disciplina da caserma" - confidava Salvador Dalí in una intervista del 1961 alla giornalista e scrittrice italiana Oriana Fallaci (1929-2006), mentre, nelle successive riflessioni tuonava contro gli pseudo moralisti: "Non sono io il pagliaccio ma lo è questa società mostruosamente cinica e così ingenuamente incosciente che gioca a fingere di essere seria per meglio nascondere la propria follia".

Textual description of firstImageUrl

Coco Chanel: "Fashion changes, but style endures"!

Coco Chanel and Romy Schneider

"Where should one use perfume? A young woman asked. Wherever one wants to be kissed".
"It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong".
And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person".
I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love".
The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness".

Textual description of firstImageUrl

Louis Aragon | Tutte le parole del mondo / Toutes les paroles du monde…

Quando tutte insieme le parole del mondo ti avrò dato
Tutte le foreste d’America e tutte le messi notturne del cielo
Quando ti avrò dato ciò che brilla e ciò che l’occhio non può vedere
Tutto il fuoco della terra come una coppa di lacrime
Il seme maschile delle specie diluviane
E la mano di un bambino

Sergey Shenderovsky

Textual description of firstImageUrl

William Faulkner: "I believe that man will not merely endure he will prevail!"

William Faulkner’s speech at the Nobel Banquet at the City Hall in Stockholm
December 10, 1950

Ladies and gentlemen,

I feel that this award was not made to me as a man, but to my work - a life’s work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before.
So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin.


Textual description of firstImageUrl

Albert Camus | Invincibile estate / Within Me

Mia cara,
nel bel mezzo dell’odio
ho scoperto che vi era in me
un invincibile amore.

Nel bel mezzo delle lacrime
ho scoperto che vi era in me
un invincibile sorriso.


Textual description of firstImageUrl

Claude Monet | Nazi looting / Il saccheggio nazista

Under the Nazi regime, both in Germany from 1933 and in German-occupied countries until 1945, Jewish art collectors of Monet were robbed by Nazis and their agents.
Several of the stolen artworks have been returned to their rightful owners, while others have been the object of court battles.
In 2014, during the spectacular discovery of a hidden trove of art in Munich, a Monet that had belonged to a Jewish retail magnate was found in the suitcase of Cornelius Gurlitt, the son of one of Hitler's official dealers of looted art, Hildebrand Gurlitt.

Claude Monet | Fécamp, bord de mer

Textual description of firstImageUrl

Emily Dickinson | Marzo: Mese di attesa / March: Month of expectation, 1877

Marzo: mese di attesa.
Le cose che ignoriamo -
E le persone del nostro presagio
Sono in cammino -
Ci sforziamo di fingere fermezza -
Come si deve, ma la gioia solenne

Claude Monet | Strada Romana at Bordighera | Museum Barberini

Textual description of firstImageUrl

Grazia Deledda (Nobel Prize) | While the east wind blows, 1905

Grazia Maria Cosima Damiana Deledda (1871-1936) was an Italian writer who received the Nobel Prize for Literature in 1926 "For her idealistically inspired writings which with plastic clarity picture the life on her native island [i.e. Sardinia] and with depth and sympathy deal with human problems in general".
She was the first Italian woman to receive the prize, and only the second woman in general after Selma Lagerlöf was awarded hers in 1909.

While the East Wind Blows
A short story by Grazia Deledda published on the official website of the Nobel Prize
From the collection I giuochi della vita, 1905
Translated by Anders Hallengren

Karl Raupp | Crossing Lake Chiemsee in a storm under the aegis of a guardian angel

Textual description of firstImageUrl

Mariangela Gualtieri | Amore mio / My love

Amore mio,
è difficile da questo fondo, da questo finale, dire come mi manchi,
come immenso tu sei nel mancare, adesso che mi sono persa
fra masse dure, fra cinghie di buio pesto, senza divinità,
senza la tua mano che tutto sorregge.

Marc Chagall | The Lovers, 1929