Encouraged by an independent, educationally oriented mother, Anna Elizabeth Klumpke (1856-1942) was a copyist in the Luxembourg Museum and studied at the Académie Julien in Paris.
She enjoyed an education guided by the concept that women artists could compete with their male counterparts.
In her memoirs of 1940, Klumpke cites a most influential moment in her childhood: receiving the gift of a Rosa Bonheur doll.
Her admiration of Bonheur, the French painter of animals, led her to paint the aging woman’s portrait - which is considered a companion piece to her portrait of leading suffragist Elizabeth Cady Stanton.