Wisława Szymborska | Ritratto di Donna / Portrait of a Woman

Deve essere a scelta.

Cambiare, purché niente cambi.

È facile, impossibile, difficile, ne vale la pena.

Ha gli occhi, se occorre, ora azzurri, ora grigi,

neri, allegri, senza motivo pieni di lacrime.

Egon Schiele | Seated Woman with Bent Knees, 1917 | National Gallery of Prague

Women Artists | Sitemap

"Someone, I say, will remember us in the future".

"Qualcuno, dico, si ricorderà di noi in futuro".

Saffo

The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s.

Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement.

Camille Claudel | L'âge mûr /L'Età matura, 1902

Paul Emil Jacobs | Orientalist painter

Paul Emil Jacobs (1802-1866) was a German painter, noted for Orientalist themes, portraits and figures.

Jacobs, son of the philologist Frederick Jacobs, received his art training at the Munich Academy of Fine Arts and first became known for his painting of Mercury and Argus (from Classical mythology).

In 1824 he went to Rome, where he attracted critical attention by painting "The Raising of Lazarus".

In 1836 he made a series of historical paintings at the Welfenschloss in Hannover.

Jehan-Georges Vibert | Academic painter

Jehan Georges Vibert or Jean Georges Vibert (1840-1902) was a French academic painter.

He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert.

He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet.

Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen.

Louis Béroud (1852-1930)

Louis Béroud (1852-1930) was a French painter, a student of Léon Bonnat, renowned for his detailed and realistic works, often depicting interior scenes of famous museums, including the Louvre.

Some of his paintings are visible at the Musée Carnavalet and The Louvre in Paris.

He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.

Wilhelm Leibl | Genre painter

Wilhelm Maria Hubertus Leibl (1844-1900) was a German realist painter of portraits and scenes of peasant life.

Leibl was born in Cologne, where his father was the director of the Cathedral choir.

He was apprenticed to a locksmith before beginning his artistic training with the local painter Hermann Becker in 1861.

He entered the Munich Academy in 1864, subsequently studying with several artists including Carl Theodor von Piloty.

Claude Monet | Nazi looting / Il saccheggio nazista

Under the Nazi regime, both in Germany from 1933 and in German-occupied countries until 1945, Jewish art collectors of Monet were robbed by Nazis and their agents.

Several of the stolen artworks have been returned to their rightful owners, while others have been the object of court battles.

In 2014, during the spectacular discovery of a hidden trove of art in Munich, a Monet that had belonged to a Jewish retail magnate was found in the suitcase of Cornelius Gurlitt, the son of one of Hitler's official dealers of looted art, Hildebrand Gurlitt.

Claude Monet | Fécamp, bord de mer

Emily Dickinson | Marzo: Mese di attesa / March: Month of expectation, 1877

Marzo: mese di attesa.

Le cose che ignoriamo -

E le persone del nostro presagio

Sono in cammino -

Ci sforziamo di fingere fermezza -

Come si deve, ma la gioia solenne

Claude Monet | Strada Romana at Bordighera | Museum Barberini

Cecil van Haanen | Genre painter

Cecil van Haanen (1844-1914) was a Vienna-born Dutch portrait and genre painter, whose significant work was centred at Venice.

Van Haanen was the son to landscape painter Remigius Adrianus Haanen (1812–1894) and Emilie Mayer von Alsó-Rußbach.

He received early artistic training from his father and Friedrich Schilcher, and from April 1854 was educated at the pre-school of the Vienna Academy under Peter Johann Nepomuk Geiger.