Sexto Canegallo | Pointillist / Futurist painter

Italian painter Giuseppe Sexto Canegallo (1892-1966) was born on 2 February 1892 in Sestri Ponente.

He attended the Linguistic Academy in Genoa, where he was a student of Lazzaro Luxardo, Tullio Salvatore Quinzio, Lorenzo Massa and Alfredo Luxoro.

His artistic style was initially influenced by the pointillist poetics of Plinio Nomellini, together with other artists such as Angelo Morbelli, Gaetano Previati and Rubaldo Merello.

Ricardo Celma, 1975 | Magical realism painter

Ricardo Celma is considered one of the greatest references of contemporary realism.

His work has a mix of influences, are present the elements of Baroque, Flemish painting, Magical realism and hyperrealism.

Ricardo Celma was born in Buenos Aires.

His artistic vocation showed up at the early age of 5 when he started attending to an art workshop and he continued to do so for 20 years.

Miomir Badžić (?-2000) | Ballet dancers

Miomir Badžić was an Serbian artist, known for working in classical and realistic style.

Miomir Badžić, an exceptionally talented painter, masterfully expressed his artistic vision.

He was known for his outstanding paintings of ballerinas, historical motifs, replicas of old masters, landscapes and portraits.

With his skill, Badžić created masterpieces and left an indelible mark on the world of painting.

He devotedly created in Belgrade until the last day of his life, and his art and legacy remain immortal, although he unfortunately left us in 2020.

Anastasia Vostrezova, 1981 | Ballet Dancers

Russian painter Анастасия Вострецова works in a variety of genres: portrait, landscape, still-life.

Vostrezova's true creativity is evident in her scenes of Russian everyday life, festivals and portraits.

The characters presence of mood and soul are delicately transferred on her canvas.

Her works are characterised by the constant search of the illusive language of the soul and the painting culture that changes constantly.

Vytautas Laisonas, 1965 | Magic Realism painter

Lithuanian painter Vytautas Laisonas, born in the village Skrėbiškis-Biržai district, is a member of Lithuania Folk Art Gild since 1991.

His childhood in the countryside has left a lasting mark on his perspective, compelling him to capture the tranquil beauty and subtle variety of the natural world in his art.

Observing Laisonas’ paintings, one can clearly see his appreciation for the pristine perfection of untouched landscapes, which frequently reflect memories from his early years.

Henry Asencio, 1972 | Abstract Realism painter

American painter Henry Asencio has emerged as one of the most intriguing young artists working today.

His work blends the classical ideals of figurative painting with a unique style.

Merging introspection and visual spectacle, Asencio's personal investigations of the figure, spirituality and abstraction possess the power to transform todays ideals of elegance and sensuality.

Flip Gaasendam,1957 | Neo-Impressionist painter

Flip Gaasendam studied from 1977-1982 at the Minerva Academy of Groningen.

In 1988 he obtained the 'J. Egberts' price of the Pictura Association. From 1992 on, he was welcomed in the best galleries of The Netherlands.

In 1997 he participated at the ‘Painters of Minerva' exhibition, held at the same time at ‘De Twee Pauwen’ Gallery in The Hague and at Panorama Mesdag Museum.

Gaasendam’s works are present in many collections, notably at the Drenthe Museum, Gasunie, ING and Unilever.

Massimo Fedele, 1964 | Abstract painter

Massimo Fedele was born in Turin, Italy.

After a few months his family moved to Apulia, in San Vito dei Normanni (Brindisi) where he still lives and works.

After obtaining a diploma from the local Technical and Commercial Institute, he realised he was not on the right track.

Claudio Bonanni, 1960 | Impressionist painter

Claudio Bonanni was born in Tivoli, Rome. From 1980-1986, he attended the Academy of Fine Arts in Rome, then he moved to Paris to study painting under the guidance of Pio Santini, of Tivoli, moved to the French capital fifty year before.

Here he deepened the knowledge of the Impressionists, first of all Pissarro.

Antonio Canova | Paolina Borghese, 1805-1808

The reclining Paolina Borghese as Venus Victrix in the center of the room holds an apple in her hand, evoking the Venus Victrix in the judgement of Paris, who was chosen to settle a dispute between Juno (power), Minerva (arts and science) and Venus (love).

The same subject was painted on the ceiling by Domenico de Angelis (1779), framed by Giovan Battista Marchetti's tromp d'oeil architecture, and was inspired by a famous relief on the façade of the Villa Medici.

This marble statue of Pauline in a highly refined pose is considered a supreme example of the Neoclassical style.

Edward Robert Hughes | Pre-Raphaelite painter

Edward Robert Hughes RWS (1851-1914) was an British painter who worked prominently in watercolours.

He was influenced by his uncle, and eminent Pre-Raphaelite, Arthur Hughes.

Having settled on his career choice, Edward Hughes attended Heatherley's in London to prepare himself for the chance of auditioning for the Royal Academy School.

Hughes became a student at the Royal Academy School in 1868.

Othon Friesz | Fauve painter

Achille-Émile Othon Friesz (6 February 1879 - 10 January 1949), who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.

Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains.

He went to school in his native city.

It was while he was at the Lycée that he met his lifelong friend Raoul Dufy.

Félix Vallotton | Landscapes and seascapes

Vallotton's landscapes and seascapes avoided conventional views and techniques, and presented unusual viewpoints and perspectives.

The scene is sometimes seen from above, with the horizon very high in the picture, or without the sky being visible at all.

The forms are simplified, and the figures are often small and almost unrecognizable.

Felix-Vallotton | The Ball, 1899 | Musée d'Orsay, Paris

Sleeping Hermaphroditus / L'Ermafrodito dormiente

The ambivalence and voluptuous curves of this figure of Hermaphroditus, who lies asleep on a mattress sculpted by Bernini, are still a source of fascination today.

His body merged with that of the nymph Salmacis, whose advances he had rejected, Hermaphroditus, son of Hermes and Aphrodite, is represented as a bisexed figure.

The original that inspired this figure would have dated from the 2nd century BC, reflecting the late Hellenistic taste for the theatrical.

Department of Greek, Etruscan and Roman Antiquities: Hellenistic Art (3rd-1st centuries BC) Greek, Etruscan and Roman Antiquities - Musée du Louvre.

Gaetano Bellei | Academic / Genre painter

The Italian master Gaetano Bellei was born in Modena in 1857, died in the same city in March 1922.

A student of Adeodato Malatesta and companion of John Muzzioli.

Twenty-four he won the Retired Potetti that allowed him to travel to Rome for some time learning about yourself.

Winslow Homer | Summer Night / Notte d'estate, 1890

Winslow Homer started his career as a graphic reporter during the American Civil War, before going on to paint scenes of army life and the rural world with the Naturalist precision which then prevailed in American painting.

After a stay in Paris, Homer used an Impressionist palette for a while then developed a personal style midway between Realism and Symbolism.

Summer Night perfectly expresses this synthesis and may be considered one of the first masterpieces of American art still in search of its identity.

Winslow Homer | Summer Night / Notte d'estate, 1890 | Musée d'Orsay

Berit Kruger-Johnsen | Romantic Surrealist painter

Growing up in Oslo, Norway, nature has always played a major part in Berit Kruger-Johnsen's life.

She studied for a degree in biology and upon completion was accepted into the only graphic design school in Oslo at that time.

The only artist in my family was my grandfather, who never met. It was crazy during the Depression era and was institutionalized. I think it would be fair to say that whenever an artist or not entitled connotations in my family.

Lord Frederic Leighton | Cymon and Iphigenia, 1884

Cymon and Iphigenia is an oil on canvas painting by Frederic Leighton, 1st Baron Leighton PRA.

The painting does not bear a date but was first exhibited at the Royal Academy of Arts, London, in 1884.

The Art Gallery of New South Wales in Sydney, Australia, purchased it at a Christie's auction in London in 1976.

John Frederick Lewis | Orientalist painter

John Frederick Lewis RA (London, 1804-1876) was an British painter. He specialized in Oriental and Mediterranean scenes in exquisitely detailed watercolour or oils.

Lewis lived for several years in a traditional mansion in Cairo, and (after his return to England) painted highly detailed works showing both realistic Genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with no traces of Western cultural influence yet apparent.

Henri Matisse | Orientalist Odalisque

In 1917 Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice.

His work of the decade or so following this relocation shows a relaxation and a softening of his approach.

This "return to order" is characteristic of much art of the post-World War I period and can be compared with the neoclassicism of Picasso and Stravinsky as well as the return to traditionalism of Derain.

Sir Lawrence Alma-Tadema | The Roses of Heliogabalus, 1888

"The Roses of Heliogabalus" is an 1888 painting by the Dutch-born British artist Sir Lawrence Alma-Tadema (1836-1912).

It is currently owned by the Spanish-Mexican billionaire businessman and art collector Juan Antonio Pérez Simón.

The painting measures 132.7 × 214.4 centimetres (52.2 × 84.4 in).

It shows a group of Roman diners at a banquet, being swamped by drifts of pink rose petals falling from a false ceiling above.

The Roman emperor Elagabalus reclines on a platform behind them, wearing a golden robe and a tiara, watching the spectacle with other garlanded guests.

Carlo Crivelli | Santa Maria Maddalena, 1480

With Carlo Crivelli, the so-called "International Gothic" style experienced its final flowering in Italy.

This perfectly preserved panel was painted towards the end of his career.

It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area of the Marches where Crivelli lived. | Source: © Rijksmuseum, Amsterdam

Carlo Crivelli | Mary Magdalene, 1480 | Rijksmuseum, Amsterdam

Odilon Redon | Hommage a Goya, 1885 | The series

Homage to Goya (Hommage à Goya) is an portfolio of 6 lithographs on chine appliqué reveal Redon's admiration for the Spanish painter and printmaker, who died in 1828.

This series is one of many that Odilon Redon created throughout his career.

Nearly two-thirds of his lithographs took the form of portfolios - prints connected conceptually by a theme or narrative and physically by a folder or binding.

Odilon Redon | Hommage a Goya, 1885 | Scharf Gerstenberg Collection

Raffaello Gambogi | Post-Macchiaioli painter

Raffaello Gambogi (Livorno, 1874-1943) was an Italian painter, mainly of urban landscapes and genre scenes.

In 1891 Gambogi obtained a scholarship to the Academy of Fine Arts of Florence, where he studied under Giovanni Fattori.

Andy Warhol | Johann Wolfgang von Goethe, 1982

Andy Warhol saw the famous portrait of Johann Wolfgang von Goethe by J. H. Wilhelm Tischbein during a visit to the Städel.

As the quintessence of German culture, it inspired him to create this work and other prints, some of which are likewise in the Städel collection.

In 1962 Warhol - a key figure of American Pop Art - began reproducing press photos of celebrities such as Marilyn Monroe or Elvis Presley with the silkscreen technique.

Andy Warhol | Johann Wolfgang von Goethe, 1982 | Städel Museum, Frankfurt

Narcissus by Boltraffio and after Boltraffio, 1500-1510

Narcissus at the Fountain is a 1500-1510 oil-on-panel painting by Giovanni Antonio Boltraffio, now in the Uffizi, in Florence.

A copy is held in the National Gallery, London.

Both works show a young man in profile, interpreted as Narcissus due to his downward gaze.

Giovanni Antonio Boltraffio | Narcissus at the Fountain | Uffizi Gallery, Florence

Jeffrey T. Larson, 1962 | Classical Realist painter

Jeffrey T. Larson was born in Two Harbors, Minnesota and grew up in the Twin Cities.

At the age of seventeen he began his classical studies with traditional atelier training under Richard Lack at the Atelier Lack in Minneapolis, MN.

Following his four- year training at Atelier Lack (1980-1984), Larson studied the work of the masters in the United States and abroad.

15th-16th century Art | Sitemap

The 15th and 16th centuries saw the flowering of the Renaissance, a period of renewed interest in classical antiquity that emphasized humanism, naturalism, and the development of new artistic techniques.

It began in Italy and later spread throughout Europe, with distinct regional styles and priorities.

Key periods

The Early Renaissance (15th century)

Originating in Florence, the Early Renaissance, or Quattrocento, established the foundations for the later High Renaissance.

Masaccio (1401-1428): Credited with popularizing linear perspective and creating realistic figures with solidity and emotion.

Donatello (1386-1466): His bronze David was the first free-standing nude sculpture since antiquity, demonstrating classical influence.

Sandro Botticelli (1445-1510): Known for elegant mythological paintings like The Birth of Venus and Primavera.

Jan van Eyck (1390-1441): A pioneer of the Northern Renaissance who mastered oil painting and meticulous detail, as seen in The Arnolfini Portrait.

Botticelli | Venus and Mars, 1483

Giovanni Antonio Boltraffio | The Virgin and Child, 1493-1499

A grave, statuesque young woman gazes down at a positively enormous child, who lies sideways across her lap.

Her deep red gown is open to reveal her breast, which she offers to her son - though he seems uninterested.

He turns his head away from his mother to look out at the viewer, while playing with the beads which dangle from her scarf.

We know from their delicate haloes that these are the Virgin Mary and infant Christ, but this is a very modern Mary, painted in a newly realistic manner.

Boltraffio (Milan, 1467-1516) was Leonardo da Vinci’s most gifted pupil, and imitated his master in style and technique.

Carlo Francesco Nuvolone | Baroque painter

Carlo Francesco Nuvolone (Milan, 1609-1662)) was an Italian painter of religious subjects and portraits who was active mainly in Lombardy.

He became the leading painter in Lombardy in the mid-17th century, producing works on canvas as well as frescoes.

Because his style was perceived as close to that of Guido Reni he was nicknamed il Guido della Lombardia (the Guido of Lombardy).

Mark Ashkenazi | Pop Art painter

Mark Ashkenazi is an Israeli photo artist based in New York City.

He loved art since childhood and everyone around him, including himself, knew that he would become an artist.

Starting artwork at such a young age provided him with the opportunity to learn a lot from other renowned artists.

Michelangelo | Bacchus, 1496-1497

Bacchus (1496-1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo Buonarroti.

The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.

Commissioned by Raffaele Riario, a high-ranking Cardinal and collector of antique sculpture, it was rejected by him and was bought instead by Jacopo Galli, Riario’s banker and a friend to Michelangelo.

Along with the Pietà the Bacchus is one of only two surviving sculptures from the artist's first period in Rome.

Cappella Sistina | La Volta di Michelangelo, 1508-1512

"Senza aver visto la Cappella Sistina non è possibile formare un'idea apprezzabile di cosa un uomo solo sia in grado di ottenere" - Johann Wolfgang von Goethe

La decisione di Giulio II di rifare integralmente la decorazione della volta fu probabilmente dovuta ai gravi problemi di natura statica che interessarono la Sistina fin dai primi anni del suo pontificato (1503-1513).

Essi dovettero essere la conseguenza degli scavi eseguiti sia a nord che a sud dell’edificio per la costruzione della Torre Borgia e del nuovo San Pietro.

Dopo che nel maggio del 1504, una lunga crepa si aprì nella volta, fu incaricato Bramante, allora architetto di Palazzo, di porvi rimedio, il quale mise in opera alcune catene nel locale soprastante la Cappella.

Caravaggio and the birth of Baroque

Italian Renaissance painter Michelangelo Merisi da Caravaggio (1571-1610) "put the oscuro (shadows) into chiaroscuro".

Chiaroscuro was practised long before he came on the scene, but it was Caravaggio who made the technique a dominant stylistic element, darkening the shadows and transfixing the subject in a blinding shaft of light.

Paul Gauguin | The Siesta, 1892-94

The unaffected grace and communal ease of Tahitian women impressed Gauguin enormously.

The artist worked on this painting over an extended period, incorporating numerous changes.

The skirt of the woman in the foreground, for example, was originally bright red; there was a dog in the position now occupied by the basket at lower right; and the woman seated at the left edge of the porch was previously situated further to the left. | © The Metropolitan Museum of Art.

Paul Gauguin quotes: "Art = a mad search for individualism"

• "L'arte è un'astrazione: spremetela dalla natura sognando di fronte ad essa e preoccupatevi più della creazione che del risultato".

• "When the physical organism breaks up, the soul survives. It then takes on another body".

Correggio | Jupiter and Io, 1530

Jupiter and Io is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio (1489-1534).

It is part of the collection of the Kunsthistorisches Museum of Vienna, Austria.

History

The series of Jupiter's Loves was conceived after the success of Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.

Felix Vallotton | Still life with gladioli, 1924

Félix Vallotton's still life paintings are characterized by their formal simplicity, striking compositions, and a cool, detached sensibility.

While still lifes were a minor subject for him earlier in his career, they became prominent in his work from around 1910 onwards.

In his later years, painting in his studio in Honfleur, Vallotton concentrated particularly on still lifes, particularly flowers, fruits and vegetables, very carefully arranged and painted with extreme precision.

Master of the Story of Griselda | Artemisia, 1498

"Artemisia" - Museo Poldi Pezzoli, Milano (Lombardia, Italy) - attributed to an anonymous Sienese master, known conventionally as the Master of the story of Griselda.

The Master of the Griselda Story is named from set of paintings which relate the story of Patient Griselda.

Other paintings have been ascribed to him.

The style is typical of Sienese art in the late fifteenth century and reflects the manner of Luca Signorelli.

His figures are notable for their elongated limbs, almost dancing motion and great elegance.

Master of the Female Half-Lengths | Renaissance painter

The Master of the Female Half-Lengths, active ca.1530-1540, was a Dutch Northern Renaissance painter* or likely a group of painters of a workshop.

The name was given in the 19th century to identify the maker or makers of a body of work consisting of 67 paintings to which since 40 more have been added.

The works were apparently the product of a large workshop that specialized in small-scale panels depicting aristocratic young ladies at half-length.

Sir Lawrence Alma-Tadema | Spring / Primavera, 1894

A procession of women and children descending marble stairs carry and wear brightly colored flowers. Cheering spectators fill the windows and roof of a classical building.

Dutch-born British Classicist painter Sir Lawrence Alma-Tadema (1836-1912) here represented the Victorian custom of sending children into the country to collect flowers on the morning of May 1, or May Day, but placed the scene in ancient Rome.

Constant Troyon | The Barbizon school of painters

Constant Troyon (1810-1865), French painter, was born in Sèvres, near Paris, where his father was connected with the famous manufactory of porcelain.

Troyon was an animal painter of the first rank, and was closely associated with the artists who painted around Barbizon.

The technical qualities of his methods of painting are most masterly; his drawing is excellent, and his composition always interesting.

It was only comparatively late in life that Troyon found his métier, but when he realized his power of painting animals he produced a fairly large number of good pictures in a few years.

Ricardo Sanz, 1957 | Figurative painter

Ricardo Sanz is a San Sebastián painter. His work is contemporary figurative style.

His artistic vocation was forged through his grandfather, owner of the Art Gallery La Perfecta in which he met the great artists of the painting: Sorolla, Zuloaga, Vázquez Diaz, etc.

At fourteen he began his training as a painter with José Camps, while he continued his studies until graduating in History from the University of Deusto and Art History in Madrid.

In Paris and Italy continues his apprenticeship with prominent painters of the time.

Gian Lorenzo Bernini, uomo ed artista universale

Oltre ai suoi autoritratti e ad un ritratto fattogli dal Gaulli (Roma, Gall. Corsini), il Bernini è stato descritto fisicamente e moralmente da numerosi autori: basti ricordare lo Chantelou, ed il figlio Domenico, che lo disse "aspro di natura, fisso nelle operazioni, ardente nell'ira".

Egli fu l'artista più intimamente legato al cattolicesimo risorgente nella temperie postridentina, e non può esserci dubbio sulla sua convinzione religiosa; pare che negli anni successivi al 1630 la sua fede si fosse approfondita e che nell'ultimo periodo della sua vita frequentasse assiduamente gesuiti e oratoriani: era amico intimo dei padre G. P. Oliva, gesuita, per il quale disegnò il frontespizio al secondo volume delle Prediche (1664) e ebbe come consigliere spirituale anche un suo nipote, padre Marchesi, oratoriano.

Gerard ter Borch | Baroque painter

Gerard Terborch, Terborch also spelled Ter Borch or Terburg (1617-1681), Dutch Baroque painter who developed his own distinctive type of interior genre in which he depicted with grace and fidelity the atmosphere of well-to-do, middle-class life in 17th-century Holland.

Terborch’s father had been an artist and had visited Rome but from 1621 was employed as a tax collector.

François Lassere, 1960 | Oppositionist Art

Born in Puy de Dôme, France, François Lassere is a self-taught painter who practices several techniques.

He was interested in hyperrealism for many years, then moved on to working in raw material, when a painter in Paris suggested to him to expand to new techniques.

Lassere then embarked on a new trend, which he calls “Oppositionism”. From this point on his work will mostly consist of highlighting heterogeneous styles to extract harmony from them.

Alda Merini | Alla tua salute, amore mio!

Sono folle di te, amore

che vieni a rintracciare

nei miei trascorsi

questi giocattoli rotti delle mie parole.

Ti faccio dono di tutto

se vuoi,

Pablo Picasso |The Embrace, 1900

Citazioni da Picasso: "Dipingere non è un'operazione estetica.."

• "Quando uno inizia un ritratto e cerca per successive eliminazioni di trovare la forma pura... si finisce inevitabilmente con un uovo.."

• "La pittura non è fatta per decorare gli appartamenti. È uno strumento di guerra offensiva e difensiva contro il nemico".

Peregrine Heathcote, 1973 | Academic Realism painter

Born in London, Peregrine Heathcote spent his childhood living in both Britain and Dubai where his imagination was free to flourish as he witnessed an international jet set culture.

Hence it is no surprise that the artist's imagery reflects a provocative Silver Screen theatrical quality.

In 1995, Peregrine Heathcote graduated from the Florence Academy of Art and since that time he has been profiled by the BBC in a documentary about his portraits resulting in international exposure.

Paul Gauguin | Post-Impressionist painter

Paul Gauguin, in full Eugène-Henri-Paul Gauguin (born June 7, 1848, Paris, France-died May 8, 1903, Atuona, Hiva Oa, Marquesas Islands, French Polynesia) French painter, printmaker and sculptor who sought to achieve a "primitive” expression of spiritual and emotional states in his work.

The artist, whose work has been categorized as Post-Impressionist, Synthetist and Symbolist, is particularly well known for his creative relationship with Vincent van Gogh as well as for his self-imposed exile in Tahiti, French Polynesia.

His artistic experiments influenced many avant-garde developments in the early 20th century.