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Jean-François Millet at the National Museum of Wales

The goose girl's wistful gaze contrasts against the lively geese honking behind her and swimming in the water. In the background are the houses of Gruchy, the hamlet in Normandy where Millet was born.
This work was painted after his first visit to the area in nearly ten years.
There is a sense of personal nostlagia, less common to his works from Barbizon.

Jean Francois Millet | The goose girl at Gruchy | National Museum Wales

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Emilio Grau Sala (1911-1975) | Colorist painter

Emilio (Emi) Grau Sala was a Catalan painter. He studied at the Escuela de Bellas Artes de Barcelona.
He was a famous colorist (oil painting, watercolor and pastel) and illustrator.
Having made his debut at the Salon des Humoristes in Paris when extremely young, he had his first one-man show in Barcelona at the age of 18, and went on to have shows of his work throughout the world - Paris, Madrid, London, Buenos Aires, New York.


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Wassily Kandinsky | I - Dell'Estetica, 1910

Lo spirituale nell'arte, 1910
I. Introduzione

Ogni opera d’arte è figlia del suo tempo, e spesso è madre dei nostri sentimenti.
Analogamente, ogni periodo culturale esprime una sua arte, che non si ripeterà mai più.
Lo sforzo di ridar vita a princìpi estetici del passato può creare al massimo delle opere d'arte che sembrano bambini nati morti. Noi non possiamo, ad esempio, avere la sensibilità e la vita interiore degli antichi Greci.
E se in scultura tentassimo di adottare i loro princìpi non faremmo che produrre forme simili alle loro, ma prive di anima.
Come le imitazioni delle scimmie. Esteriormente i movimenti delle scimmie sono perfettamente uguali a quelli dell'uomo.

Wassily Kandinsky | Oval n°2, 1925

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Emily Dickinson | Heart! We will forget him! / Cuore! Lo dimenticheremo!

Heart! We will forget him!
You and I, tonight!
You may forget the warmth he gave,
I will forget the light!

Cuore! Lo dimenticheremo!
Tu ed io, questa notte!
Tu potrai dimenticare il calore che dava -
Io dimenticherò la luce!

Francine Van Hove, 1942

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Willem Kalf | Dutch Golden Age painter

Willem Kalf (1619-1693) was a Dutch Golden Age painter who specialized in still lifes. Later in his life, Kalf became an art dealer and appraiser.

Life and work

Willem Kalf was born in Rotterdam, in 1619. He was previously thought to have been born in 1622, but H. E. van Gelder's important archival research has established the painter's correct place and date of birth. Kalf was born into a prosperous patrician family in Rotterdam, where his father, a cloth merchant, held municipal posts as well.


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Wassily Kandinsky | The movement of the Triangle

Concerning the Spiritual in Art, 1910

Many grievous obstacles along this road must be conquered, so as to arrive at the first stage; and even then an evil, unseeing hand may toss more obstacles in the way, so that this road sometimes appears to be totally impassable, as all landmarks vanish.
It is then that there unfailingly arises some human being, no different from the rest of humanity but for a secret power of "Vision" within him.
He sees and points the way. Sometimes he would prefer to lay aside his power, as it is a heavy cross to bear; but he cannot do so. Though scorned and hated, he never lets go but drags the cartload of protesting humanity after him, ever forcing it forward and upward, over all obstacles in his way.


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Wassily Kandinsky | About General Aesthetic, 1910

Concerning the Spiritual in Art, 1910
Kandinsky's Introduction

Every work of art Is a child of its time, while often it is the parent of our emotions.
Thus, every cultural period creates art of its own, which can never be repeated again. An effort to revive art-principles of the past, at best, can only result in works of art resembling a still-born child. For example, it is impossible for us to relive or feel the inner spirit of the ancient Greeks.
The sculptor's attempts to employ Greek principles can only achieve a similarity in form, while the work itself remains for all time without a soul.


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Kandinsky | Lo Spirito dei colori

"Ogni opera d’arte è figlia del suo tempo, e spesso è madre dei nostri sentimenti" - Kandinsky

"Mi sembrava che l'anima viva dei colori emettesse un richiamo musicale, quando l'inflessibile volontà del pennello strappava loro una parte di vita", scriveva Wassily Kandinsky (1866-1944), il fondatore dell'Arte Astratta.
Nel sangue russo di Kandinsky si erano confusi quello tedesco della nonna materna e quello orientale della bisnonna paterna, che era una principessa cinese.
La musica diede una particolare impulso alla sua anima, Mussorgskij, Rimskji-Korsakov, Balakirev, Cui e Borodin erano i suoi preferiti.
Mentre, Monet, con i suoi Covoni esposti a Mosca nel 1895, gli diede la certezza della sua vocazione: egli ricorderà sempre quelle tele per l'impressione che ne aveva ricevuta d'esser la pittura in essa indipendente e comunque assai più forte della realtà per suo mezzo raffigurata.


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Edvard Munch | Kiss by the Window, 1892

"The Kiss by the Window" or "Kissing by the Window" is an 1892 oil on canvas painting by Edvard Munch, now in the National Gallery of Norway. It forms part of his series known as The Frieze of Life, which treats the cycle of life, death and love and was produced between 1893-1918.
Kiss by the Window artwork depicts a couple who embrace each other as they fuse into one and their faces merge into a featureless single shape.
The kissing couple is surrounded by swirling darkness with the only source of light showing through the window which is covered by a curtain.

Edvard Munch | Kissing by the Window, 1892

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Edvard Munch | Summer Day, 1908

Munch began working on "Summer Day" in 1903, as part of a major commission by Dr Max Linde, for his children’s nursery room at their family home at Lübeck.
Linde (1862-1940) was an ophthalmologist and one of Munch’s devoted patrons. The artist first met Linde in 1902, and later that year was commissioned to produce graphic work for the Linde Portfolio of etchings of his house and garden and the members of his family.
In 1903 Linde published a book Edvard Munch und die Kunst der Zukunft and, alongside Gustav Schiefler, was to become the artist’s main supporter in Germany.

Edvard Munch | Summer Day or Embrace on the Beach (The Linde Frieze) 1908

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Frida Kahlo | Non ti chiedo di darmi un bacio..

I'm not asking you to kiss me,
nor apologize to me when I think you're wrong.
I won't even ask you to hug me when I need it most.

I don't ask you to tell me how beautiful I am,
even if it's a lie, nor write me anything beautiful.

Frida Kahlo and Diego Rivera

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Dante Alighieri | Ladies that have intelligence in love / Donne ch’avete intelletto d’amore..

Ladies that have intelligence in love,
⁠Of mine own lady I would speak with you;
⁠Not that I hope to count her praises through,
⁠But telling what I may, to ease my mind.
And I declare that when I speak thereof,
Love sheds such perfect sweetness over me
That if my courage failed not, certainly
⁠To him my listeners must be all resign'd.

Henry Holiday | Dante meets Beatrice a Ponte Santa Trinita, 1883 | Walker Art Gallery Liverpool

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Paolo and Francesca | Dante Alighieri ~ Inferno, Canto V

Divina Commedia | Inferno| Canto quinto

Amor, ch’a nullo amato amar perdona,
mi prese del costui piacer sì forte,
che, come vedi, ancor non m’abbandona.

Amor condusse noi ad una morte.
Caina attende chi a vita ci spense".
Queste parole da lor ci fuor porte.

Quand’io intesi quell’anime offense,
china’ il viso, e tanto il tenni basso,
fin che ’l poeta mi disse: "Che pense?".

Auguste Rodin | The Kiss (Paolo and Francesca) detail | Ny Carlsberg Glyptotek, Copenhagen

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Douglas Kirkland, 1934 | Hollywood's photographer

Douglas Kirkland is a Canadian photographer based in the United States.
Douglas Kirkland is the legendary photographer who captured Hollywood elite.
Kirkland has been the cutting edge of fashion, photojournalism and portraiture, working for the world’s most reputable magazines for more than 50 years.
As a young photographer in 1961 he was assigned to shoot Marilyn Monroe during several hours in a closed studio one night, captured a stunning portfolio of alluring and intimate images that survive to this day as a testament to her beauty and vulnerability.

Douglas Kirkland | Marilyn Monroe, 1961

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David Gray, 1970 | Classical Realist painter


David's Gray signature style reveals a personal and contemporary expression of beauty and order which pays homage to the Classical Tradition in its craftsmanship. Collectors of David's work often relate that his painting provoke a sense of peace, stillness, or a contemplative mood.
His award winning works have been covered by major art publications including Southwest Art, Art of the West, and American Art Collector.
David also teaches several workshops per year in portraiture and still life painting throughout the United States and abroad.
In addition to his well known signature style, David is also currently exploring a more contemporary sensibility in recent works. Keep an eye out for more new paintings to be released in this exciting, organic style.

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Edoardo Ettore Forti | Neo-Pompeian painter

Edoardo Ettore Forti (1850-1940) was an Italian painter, active late 19th century - early 20th century.
was an Italian painter, who was prolific in depicting realistic Neo-Pompeian scenes of Ancient Roman life and events. These subjects were popular in the late-Victorian period, as exemplified by the popularity of Sir Lawrence Alma-Tadema.
He concentrated on ancient Roman subjects, which were rarely based on actual historical events.


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Eugeniusz Żak / Post-Impressionist painter

Eugeniusz Żak (1884-1926), also known as Eugène Zak and Eugene Zak, was a Polish artist, born to a family of Polish Jews in Minsk, Belarus.
As a boy he moved to Warsaw, where he graduated from a non-classical secondary school.
In 1902, he left for Paris to undertake studies, first at the École des Beaux-Arts in the studio of the aged master of academism Jean-Léon Gerôme, and then at Académie Colarossi in the studio of Albert Besnard.
In 1903, he traveled to Italy and toward the end of the year to Munich, where he entered a private school run by the Slovenian Anton Ažbé. His fame grew rapidly.


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Madeleine Lemaire | The Empress of Roses

Madame Madeleine Lemaire, née Coll (1845-1928) was a French painter and illustrator specialized in watercolour and oils of still-lives of flowers, especially roses, genre scenes and portraits.
Madeleine Lemaire was a pupil in Paris of the artists Madame Herbelin and of Charles Chaplin.
In 1864, she made her debut in the Paris Salon where she was to exhibit throughout her life, winning awards in 1877 and 1900.
She also exhibited at the Société des Aquarellistes from 1879.


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Jonathan Livingston Seagull by Richard Bach | Quotes / Aforismi

"Your whole body… is nothing more than your thought itself, in a form you can see. Break the chains of your thought, and you break the chains of your body, too…"
▻ "Il vostro corpo non è altro che il vostro pensiero, una forma del vostro pensiero, visibile, concreta. Spezzate le catene che imprigionano il pensiero, e anche il vostro corpo sarà libero".


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18 Marzo, Giornata Nazionale in Memoria delle Vittime Covid-19

Quel giorno anche la mia città era deserta. Deserta di persone, di negozi, di vita!
Uscita con i miei barboncini, ero sola per la strada, sola con la paura e la tristezza.
Non avrei mai pensato di vivere scene del genere.
La sera, il telegiornale trasmise la fila dei 70 camion militari che stava lasciando il cimitero di Bergamo per portare via i feretri delle vittime del coronavirus della prima ondata.

Tutto il mondo rimase scioccato di quella scena.

Bargamo, 18-marzo 2020 | Covid-19

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Ozz Franca | Figurative painter

Ozz Franca (1928-1991) - born and grew up in Sao Paolo, Brazil, and from an early age he showed talents an artist, as well as exceptional prowess as a competitive swimmer.
At 14 he won first prize at the annual Spring Salon Art Competition. At 15, he qualified for the Brazilian Olympic Swimming Team.
With two amazing talents, Franca was unsure what he should do with his life. Fate stepped in, and the Olympic Games were canceled the year Franca was to compete due to the outbreak of World War II.


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Il gabbiano Jonathan Livingston | Parte terza

"Jonathan è quel vivido piccolo fuoco che arde in tutti noi, che vive solo per quei momenti in cui raggiungiamo la perfezione" - Richard Bach.


Jonathan volteggiava lentamente sopra le Scogliere Remote, e osservava il suo discepolo. Fletcher Lynd, giovane e acerbo, era quasi perfetto come allievo. Era forte e leggero e veloce e, quel che più contava, era divorato dalla passione del volo.
Eccolo là che arriva, grigia piccola meteora, eccolo che esce da una picchiata, e sfreccia a centocinquanta miglia all'ora davanti al suo istruttore. Ed ecco che ora cabra repentino e tenta un mulinello verticale lento, in sedici movimenti staccati successivi. E li enumerava a uno a uno a voce alta, i vari passaggi da una fase all'altra.
- "…otto…nove…dieci…mamma mia come rallento…undici…vorrei poter frenare forte come te…dodici…mannaggia..noncelafopiù…tredici…'stiultimitremovimenti…quattor…aaaaak!"

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Christophe Vacher, 1996 | Fantasy painter


Christophe Vacher is a two-time Emmy Award winner and Annie Award Nominee French artist who has provided Backgrounds, Visual Development and Art Direction for Disney, Dreamworks, Universal Studios and the film industry since 1989.
He worked in many small animation studios before joining Disney's Paris-based animation unit for three years, where he painted backgrounds for such animated films as "The Hunchback of Notre Dame", "Runaway Brain" and served as head of background for the 1995 feature, "A Goofy Movie".

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Dante Alighieri | My lady looks so gentle and so pure / Tanto gentile e tanto onesta pare..

La "Vita Nuova" (The New Life) or "Vita Nova" (Latin title) is a text by Dante Alighieri (1265-1321) published in 1294.
It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
La "Vita Nuova" contains 42 brief chapters with commentaries on 25 sonnets, one ballata, and four canzoni; one canzone is left unfinished, interrupted by the death of Beatrice Portinari, Dante's lifelong love.

Raffaello Sorbi | Dante incontra Beatrice

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Olga Darchuk /Ольга Дарчук, 1976


La pittrice ed insegnante d'arte Ucraina Olga Darchuk è nata nella città di Krivoy Rog, nella regione di Dnepropetrovsk.
Si è laureata presso il Liceo Artistico e l'Università pedagogica Krivoy Rog - Facoltà di grafica artistica.
Darchuk crede che l'arte dovrebbe portare alle persone gioia, ispirazione e trasmettere emozioni positive. La sua creatività è ispirata e basata sul lavoro con il colore.
Le vivaci composizioni di Darchuk sono dipinte esclusivamente con una spatola, usa molto raramente i pennelli. Preferisce creare utilizzando la tecnica Alla Prima con oli su tela.
I soggetti urbani e naturali dai colori forti e fluenti trasmettono un sentimento di speranza e leggerezza.

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Antonio Calderara (1903-1978) | Abstract / Minimalist painter

- "Contemplation, harmony, proportion, stillness; this is the invisible thread that weave my aspiration" - Antonio Calderara


Self-taught as a child growing up in Milan, and later mentored for a time by a young Lucio Fontana, the earliest influences of Antonio Calderara were of the figuration and light effects of Piero della Francesca, Seurat and the Milanese Novecento painters.
After abandoning his university studies in engineering in 1925 the young man dedicated himself fully to experimenting with colour and form.

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Il gabbiano Jonathan Livingston | Seconda parte

Richard Bach: "Al vero Gabbiano Jonathan che vive nel profondo di tutti noi!"

Richard Bach and Jonathan Livingston Seagull

Sicché questo è il paradiso, egli pensò, e gli venne da sorridere fra sé. Non era mica molto rispettoso, criticare il paradiso, quando ancora non ci sei manco arrivato.
Provenienti dalla Terra, oltre le nubi, lui e gli altri due gabbiani volavano in formazione compatta, e d’un tratto, egli si accorse che il suo corpo si era fatto splendente come il loro. Sì sì, lui era sempre il gabbiano Jonathan, era lo stesso giovane gabbiano che sempre si era sentito, dentro di sé, di essere: solo che la forma esteriore era cambiata, adesso.
Il suo pareva sempre un corpo di gabbiano, ma già volava molto molto meglio di quello di prima. Guarda qua, disse a se stesso, ora con metà fatica vado il doppio più veloce: due volte tanto, rispetto ai miei migliori risultati sulla terra!
Le sue penne splendevano adesso d’un candore soave, le sue ali erano lievi, lisce come d’argento polito, perfette. Si mise subito, tutto contento, a provarle, a imparare a usarle, a imprimere potenza alle sue nuove ali.

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Georgi Lapchine (1885-1950)


Georgi (Georges) Alexandrovich Lapchine / Георгий Александрович Лапшин è nato a Mosca.
All'inizio del 1900 ha studiato alla scuola Stroganov. Ha vissuto a Parigi, dove ha studiato con Cormon e JF L'Hermitte.
Ritornato a Mosca, partecipò alla mostra collettiva dell'indipendenza (1910) e fu fondatore / partecipante permanente di "Arte libera" (1911-1917).

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Il gabbiano Jonathan Livingston, 1970 | Prima parte

Richard Bach: "Al vero Gabbiano Jonathan che vive nel profondo di tutti noi!"

Mario Lupo | Il gabbiano Jonathan Livingston, 1986 | San Benedetto del Tronto

"Il gabbiano Jonathan Livingston" (Jonathan Livingston Seagull) è un celebre romanzo breve di Richard Bach (1936).
Best seller in molti paesi del mondo negli anni settanta, diventato per molti un vero e proprio cult, Jonathan Livingston è essenzialmente una fiaba a contenuto morale e spirituale.
La metafora principale del libro, ovvero il percorso di autoperfezionamento del gabbiano che impara a volare/vivere attraverso l'abnegazione, ricordando il periodo del Rinascimento, il sacrificio e la gioia di farlo è stata letta da diverse generazioni secondo diverse prospettive ideologiche, dal cattolicesimo al pensiero positivo, l'anarchismo cristiano e la New Age.

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Giuliano Grittini, 1951 | Photographer / Pop Art painter


Giuliano Grittini was born and lives in Corbetta (Milan - Italy), where he attended the School of Graphic Design and had the opportunity to develop his skills especially in printing of author's books.
He has collaborated with important Italian and international artists like Baj, Fiume, Sassu, Guttuso, Scanavino, Tadini, Warhol, Vasarely, Rotella, which he photographed during different times of their artistic activity.

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Alda Merini / Camille Claudel | Smile woman / Sorridi donna

Camille Claudel | The Mature Age, 1913 (detail) | Claudel room at the Musée Rodin in Paris

Sorridi donna
sorridi sempre alla vita
anche se lei non ti sorride
Sorridi agli amori finiti
sorridi ai tuoi dolori
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Alda Merini /Anne-Christine Roda | A tutte le donne!


Fragile, opulenta donna, matrice del paradiso
sei un granello di colpa
anche agli occhi di Dio
malgrado le tue sante guerre
per l'emancipazione.

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Arunas Rutkus, 1961 | VideoArt


Arunas Rutkus (nato a Vilnius, Lituania) è uno di quei rari artisti che, avvertendo il ritmo della globalizzazione, si sono uniti alla scena artistica globale con grande fiducia.
Nel 1987, nell'ambito della gara individuale dell'Unione degli Artisti, ha partecipato al Simposio di arte monumentale sotto la direzione di A. Karnaukhov a Mosca.
L'artista ha esposto le sue opere in più di 50 mostre personali e collettive in tutto il mondo, e le sue opere possono essere trovate in musei, gallerie e collezioni private negli Stati Uniti, Qatar, Monaco, Francia, Emirati Arabi Uniti, Cina, Russia, Regno Unito, Italia, Olanda, Belgio, Austria, Danimarca, Germania, Svezia, Estonia, Ungheria, Spagna, Israele, Nuova Zelanda, Lituania.

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The Muses frescoes at the Pompeii’s Moregine

Pompei - Affreschi di Moregine(primo triclinio) | Erato (detail)

Pompeii’s Moregine frescoes, which were unearthed inside a Roman villa discovered in 1959 during construction works for the Naples-Salerno highway, are on display inside the newly-restored Large Gymnasium.
The Moregine architectural complex is located outside the walls of Pompeii, approximately 600 meters South of the Stabian Gate.
The ancient villa was discovered at the mouth of the river Sarno and of its ancient trading post: a porticoed courtyard fronted by at least five frescoed triclinia, or formal dining rooms, and thermal baths under construction.

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Louis Valtat | Still life of flowers


Louis Valtat was a French painter and printmaker, associated with the Fauves, who exhibited at the first Salon des Indépendants of 1884.
He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Louis Valtat was born in Normandy in 1869, he is the son of the famous painter François Victor Valtat.
Two years later, Louis Valtat entered the School of Fine Arts and attended courses at the Julian Academy, where he met the Nabis group, including Edouard Vuillard.

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Emilio Gola (1851-1923) | Genre painter


Emilio Gola was an Italian painter.
Born in Milan into a noble family, Emilio (Conte) Gola was encouraged to develop his interest in art in his adolescence by his father, a dilettante painter.
He graduated in industrial engineering from the Milan Polytechnic in 1873 and devoted himself to painting under the guidance of Sebastiano De Albertis. His training also involved frequent trips to Paris and the Netherlands.

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Max Ernst | Dada / Surrealist painter

Max Ernst, in full Maximilian Maria Ernst (born April 2, 1891, Brühl, Germany - died April 1, 1976, Paris, France), German painter and sculptor who was one of the leading advocates of irrationality in art and an originator of the Automatism movement of Surrealism.
He became a naturalized citizen of both the United States, 1948 and France, 1958.
Ernst’s early interests were psychiatry and philosophy, but he abandoned his studies at the University of Bonn for painting.


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Cesare-Auguste Detti (1847-1914)

Cesare Agostino Detti, o Cesare-Auguste Detti è stato un pittore Italiano, noto soprattutto per le sue scene di genere storico, in gran parte del XVII e XVIII secolo, ispirate allo stile del Trovatore.
Nato a Spoleto nel 1847, Cesare Augusto Detti si trasferisce a Roma nel 1862 e segue all’Accademia di San Luca le lezioni di Francesco Podesti e Francesco Coghetti (che Detti poteva avere conosciuto anche a Spoleto in occasione della realizzazione del sipario del teatro).
Finita l’Accademia nel 1865, Detti apre uno studio in via Margotta e, frequentando gli ambienti romani, incontra alcuni artisti che contribuiranno a determinare il suo stile maturo: Mariano Fortuny e la colonia degli artisti spagnoli con il loro virtuosismo pittorico e il brillante colorismo. Presente alle esposizioni nazionali del 1873 a Roma e del 1872 e 1877 a Napoli, Detti incontra nella città partenopea il famoso mercante d’arte Adolphe Goupil che lo invita a Parigi.


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Edmond Rostand | A kiss, when all is said, what is it? / Un bacio, dopo tutto cos’è?


"Cyrano de Bergerac" is a play written in 1897 by Edmond Rostand. There was a real Cyrano de Bergerac, and the play is a fictionalisation following the broad outlines of his life.
The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene.

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Olga and Sergey Kamennoy


Sergey ed Olga sono la coppia di artisti che lavorano insieme sotto lo pseudonimo di "KAMU Sergey and Olga" per più di 15 anni.
- Sergey Kamennoy / Сергей Каменной è nato nel 1959 a Kharkov, Ucraina.
Ha studiato alla scuola d'arte, frequentando l'Accademia di Belle Arti di Kharkov dal 1978-1983.
E' membro dell'Unione degli Artisti di Ucraina dal 1988.
Durante gli studi si rese conto che era daltonico, anche se lui eccelso in disegno e incisione.
Ha costruito una carriera di successo nella stesura.

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Dora Meeson (1869-1955)

Dora Meeson was an Australian artist and an elected member of the Royal Institute of Oil Painters in London, England.
She was a member of the British Artists' Suffrage League.
Although born in Melbourne, Dora Meeson moved with her family to London as a child, and commenced her art studies at the Slade School.
In 1895 she returned to the antipodes and spent two years at Melbourne's National Gallery School, where she met her future husband, George Coates, before returning again to Europe just as Coates won the Travelling Scholarship.