Walter Langley (1852-1922) was an British painter and founder of the Newlyn School of plein air artists.
He was born in Birmingham and his father was a journeyman tailor.
At 15 he was apprenticed to a lithographer.
At 21 he won a scholarship to South Kensington and he studied designing there for two years.
The sometimes highly ornate work is mainly in gold and silver and in a Renaissance style.
He returned to Birmingham but took up painting full-time, and in 1881 was elected an Associate of the Royal Birmingham Society of Artists.
In the same year he was offered £500 for a year's work by a Mr Thrupp (a Birmingham photographer).
With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community.
Politically left wing for his era, he was noted for his social realist portrayals of working class figures, particularly fishermen and their families.
He was a supporter of Charles Bradlaugh, a radical socialist politician.
His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived.
One of the best known works is the watercolour For Men Must Work and Women Must Weep (1883; Birmingham Museum and Art Gallery) based on Charles Kingsley's poem The Three Fishers (1851). Another is Between The Tides (1901; Warrington Museum and Art Gallery).
Although one of the first to settle in the Newlyn artists' colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils.
His early training in lithography gives his paintings a detail and texture that show his technical skills.
In 1884, Langley was elected a member of the RBSA and continued to exhibit widely throughout the UK and abroad.
Later in his career his reputation grew. One of Langley's paintings was singled out as "a beautiful and true work of art" by Leo Tolstoy in his book What is Art?, while in 1895 Langley was invited by the Uffizi to contribute a self-portrait to hang alongside those of Raphael, Rubens and Rembrandt in their collection of portraits of great artists.
Today his work is considered "vital to the image of the Newlyn School" and "alongside Stanhope Forbes ... the most consistent in style and substantial in output". | © Wikipedia
Walter Langley (Birmingham, 8 giugno 1852 - Penzance, 21 marzo 1922) è stato un pittore Inglese fondatore della scuola di Newlyn di pittori en plein air.
Politicamente tendente a sinistra per la sua epoca, è famoso per il suo realismo nelle rappresentazioni della classe lavoratrice, in particolare dei pescatori e delle loro famiglie.
Sebbene sia stato il primo ad insediarsi nella colonia di artisti a Newlyn (Cornovaglia), Langley inizialmente beneficò poco della sua crescente fama: un po' perché aveva umili origini e un po' perché usare acquerelli piuttosto che la più prestigiosa tecnica ad olio.
Più tardi la sua carriera e la sua fama crebbero.
Uno dei dipinti di Langley fu definito da Lev Tolstoj nel suo libro Che cos'è l'arte? come "una bella e sincera opera d'arte".
Nel 1895 fu invitato alla galleria degli Uffizi per contribuire con un autoritratto da appendere vicino a quelli di Raffaello, Rubens e Rembrandt nella collezione di ritratti dei grandi artisti.
Oggi il suo lavoro è considerato "vitale per l'immagine della scuola di Newlyn" ed "insieme a Stanhope Forbes ...il più consistente in stile e sostanza nella produzione.