The second arabesque in G major is noticeably quicker and more lively in tempo.
It opens with left hand chords and right hand trills.
The piece makes several transpositions and explores a lower register of the piano.
Again notable is a hint of the pentatonic scale.
It closes in a similar fashion to the first arabesque.
Claude Monet | Flower Beds at Vétheuil | Museum of Fine Arts, Boston