Ivan Aivazovsky | Romantic painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica

Ivan Konstantinovich Aivazovsky / Ива́н Константи́нович Айвазо́вский (1817-1900) became the most prolific Russian painter of his time.

Early in his career, he was elected a member of five Academies of Fine Arts, including those of St. Petersburg (his Alma Mater). Rome, Florence, Stuttgart and Amsterdam.

He was an Academician at 27, and Professor of Marine Painting at the Academy of Fine Arts, St. Petersburg, at the age of 30.

His works were highly appreciated by J. M. W. Turner, a leading British landscape and marine painter, when they met in Rome, in 1842.

The art of the young marine painter Aivazovsky inspired Turner to devote a poem to him. Aivazovsky left over 6,000 works at his death in 1900.

The funds earned during his successful career as an artist enabled him to open an art school and gallery in his hometown of Feodosiya.

As of 2006, Aivazovsky's works have been auctioned for as much as $3,200,000, and his international reputation continues to grow.

On June 14, 2007 his painting American Shipping off the Rock of Gibraltar sold for 2,710,000 pounds, "the highest price paid at auction for Aivazovsky".

He is also said to be the most forged of all Russian painters.

On April, 2012, Ivan Aivazovsky’s canvas View of Constantinople and the Bosphorus was sold at Sotheby’s auction in London for a record $5.2 million (3.2 million pounds).

He is in the highest category #1 - an artist of the world fame, tested with time (for no less than a century)" in "United Artists Rating".

Ivan Constantinovich Aivazovsky - The Ninth WaveIvan Constantinovich Aivazovsky - The Ninth Wave

The Ninth Wave is his "most celebrated work". Aivazovsky is considered one of the most prominent Russian artists (especially in marine art) and one of the greatest marine artists of the 19th century.

Aivazovsky was born in the town of Feodosiya (Theodosia), Crimea (Russian Empire) to a poor Armenian family. His brother was the Armenian Archbishop Gabriel Aivazovsky. His family moved to the Crimea from Galicia (then in southern Poland, now in Ukraine) in 1812. His parents' family name was Aivazian but in Poland it was written Haivazian.

Some of the artist's paintings bear a signature, in Armenian letters, "Hovhannes Aivazian". His father taught him to play the violin and speak Polish and Ukrainian fluently. His talent as an artist earned him sponsorship and entry to the Simferopol gymnasium №1 and later the St.Petersburg Academy of Arts, which he graduated with a gold medal.

Earning awards for his early landscapes and seascapes, he went on to paint a series of portraits of Crimean coastal towns before travelling throughout Europe. In later life, his paintings of naval scenes earned him a long-standing commission from the Russian Navy stationed in the Black Sea.

In 1845, Aivazovsky went to İstanbul upon the invitation of Sultan Abdülmecid I, a city he was to travel to eight times between 1845-1890.

During his long sojourn in İstanbul, Aivazovsky was commissioned for a number of paintings as a court painter by the Ottoman Sultans Abdülmecid, Abdulaziz and Abdulhamid, 30 of which are currently on display in the Ottoman Imperial Palace, the Dolmabahce Museum and many other museums in Turkey.

His works are also found in dozens of museums throughout Russia and the former Soviet republics, including the Hermitage Museum in Saint Petersburg.

The largest collections of his works are at the Aivazovsky Art Gallery in Feodosiya, Ukraine, and the National Gallery of Armenia.

At 31, Aivazovsky married Julia Graves, an English governess in St. Petersburg. They had four daughters. The marriage was dissolved, and at the age of 65, Aivazovsky, married Anna Boornazian, a young Armenian widow from Theodosia.

Aivazovsky was deeply affected by the Hamidian massacres of Armenians in Asia Minor in 1895, painting a number of works on the subject such as "The Expulsion of the Turkish Ship" and "The Armenian Massacres at Trevizond" and renouncing a medal which had been awarded to him in İstanbul.

He spent his last years in Feodosia where he supplied the town with water from his own estate, opened an art school, began the first archaeological excavations in the region and built a historical museum.

Due to his efforts a commercial port was established at Feodosiya and linked to the railway network. Aivasovsky died in Feodosiya in 1900.

Aivazovsky is best known for his seascapes and coastal scenes.

His technique and imagination in depicting the shimmering play of light on the waves and seafoam is especially admired, and gives his seascapes a romantic yet realistic quality that echoes the work of British watercolorist J. M. W. Turner and Russian painter Sylvester Shchedrin.

Especially effective is his ability to depict diffuse sunlight and moonlight, sometimes coming from behind clouds, sometimes coming through a fog, with almost transparent layers of paint.

A series of paintings of naval battles painted in the 1840s brought his dramatic skills to the fore, with the flames of burning ships reflected in water and clouds.

He also painted landscapes, including scenes of peasant life in Ukraine and city life in İstanbul.

Some critics have called his paintings from İstanbul Orientalist, and others feel the hundreds of seascapes can be repetitive and melodramatic.

Ivan Konstantinovič Ajvazovskij / Иван Константинович Айвазовский (1817-1900) è stato un pittore Russo.

Spirito sfuggente e vulcanico, presto Ajvazovskij lasciò la sua città natale e compì lunghi viaggi in Europa, Turchia, Asia Minore, lasciandoci una cospicua mole di dipinti (circa seimila), principalmente paesaggi marini; la sua opera più celebre è La nona onda, realizzata nel 1850.

Produzione pittorica

Durante i suoi sessanta anni di carriera, Ajvazovskij ci ha lasciato circa seimila dipinti, la maggior parte dei quali è a tema marino; raramente dipinse paesaggi terrestri, ed ha eseguito solo una manciata di ritratti.

Ajvazovskij, nel corso della sua carriera, espose le sue opere in un totale di cinquantacinque mostre personali (numero senza precedenti); tra le più significative, si ricordano quelle tenute a Roma, Napoli e Venezia (1841-42), Parigi (1843, 1890), Amsterdam (1844), Mosca (1848, 1851, 1886), Sebastopoli (1854), Tbilisi (1868), Firenze (1874), San Pietroburgo (1875, 1877, 1886, 1891), Francoforte (1879), Stoccarda (1879), Londra (1881), Berlino (1885, 1890), Varsavia (1885), Costantinopoli (1888), New York (1893), Chicago (1893), San Francisco (1893).

Per quanto riguarda lo stile pittorico di Ajvazovskij, è assai fedele ai principi del Romanticismo.

Le sue primissime opere risentono dell'influenza dei suoi insegnanti all'Accademia, Sylvester Shchedrin e Maxim Vorobiev; nel corso della sua carriera, invece, si mostrò molto sensibile all'influsso esercitato dai pittori classici, quali Salvator Rosa, Jacob van Ruisdael e Claude Lorrain.

Tra le fonti d'ispirazione contemporanee si può invece annoverare Karl Pavlovič Brjullov, l'autore della celebre opera Gli ultimi giorni di Pompei, che lo stimolò lo sviluppo creativo.

Per il resto, la sua adesione al gusto romantico incide su diversi aspetti della sua opera pittorica, come il drammatico uso dei colori, l'esaltazione del sentire sublime, i delicati effetti luminosi, la tendenza a raffigurare grandi scene drammatiche.

Per questo motivo, quando alla metà del secolo l'arte mondiale approdò al Realismo, lo stile di Ajvazovskij venne aspramente criticato.